DVD - Wide Screen / Dolby 5.1 / Stereo Learn more
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Widescreen version of the film; 5.1 Surround Sound; 2.0 Stereo Surround; English subtitles and closed captions; Feature-length commentary by writer/director Gina Prince-Bythewood and actor Sanaa Lathan; 5.1 isolated score with commentary by composer Terence Blanchard, editor Terilyn A. Shropshire, and Gina Prince-Bythewood; Deleted scenes; Blooper reel; Audition tapes featuring Omar Epps and Sanaa Lathan; Animated storyboards of basketball sequences; Music video: Lucy Pearl "Dance Tonight"; Theatrical trailer; Original documentary: " Breaking the Glass Ceiling: The Rise and Acceptance of Women Competitors"; Script-to-screen screenplay; Original theatrical web site on the DVD
Full Product DetailsScene Selections
0. Scene Selections
1. Two on Two [5:35]
2. The New Neighbors [:53]
3. Five Seconds [1:08]
4. #32 [1:50]
5. #22 [:12]
6. A Ride Home [2:20]
7. Late Night Spat [:11]
8. A Date for Monica [3:48]
9. Championship [3:01]
10. Spring Dance [:21]
11. After the Dance [2:33]
12. At USC [3:17]
13. Locker Talk [1:44]
14. One on One [3:56]
15. The Season Starts [1:31]
16. Zeke's Problem [2:41]
17. Quincy Takes It Hard [2:54]
18. Ups and Downs [1:23]
19. Party Problems [4:14]
20. Part of the Game [2:57]
21. Crossroads [3:02]
22. Barcelona [2:55]
23. Quincy's Fall [3:17]
24. Hospital Visit [:02]
25. A Talk with Mom [1:21]
26. Back at Home [1:19]
27. Monica's Challenge [5:14]
28. One on One Rematch [2:40]
29. Return of #32 [4:47]
30. End Credits [3:21]
This refreshingly offbeat love story -- allegedly based on the life of Charlotte Hornets forward P.J. Brown -- revolves around the game of basketball and the stabilizing influence it exerts on a pair of friends whose lengthy, erratic relationship ultimately blossoms into romance. Sanaa Lathan, a fresh, beguiling screen presence, plays Monica, a female basketball player with unusual talent and the drive to match. Omar Epps as Quincy, the gifted but cocky son of a fading Los Angeles Clippers star (Dennis Haysbert), initially ridicules her ambition. Eventually, though, he comes to realize that this is one young woman who's determined to get what she goes after. First as friendly rivals growing up in Los Angeles in the early '80s, then as lovers at USC and in the disparate worlds of men's and women's professional basketball, Epps's and Lathan's relationship has a definite ring of naturalness; so, too, does the film's adoring image of basketball as both a maker and breaker of hearts. (No surprise: New York Knicks fan No. 1 Spike Lee was one of the producers.) Writer-director Gina Prince-Bythewood makes Lathan a likable, believable young woman for whom every audience can cheer. Epps, whose character is more edgy, veers close to the unsympathetic at several points, but ultimately convinces us that he's worthy of Lathan's energies. Unflinchingly contemporary in tone and presentation, Love & Basketball also shares the warm, uplifting feel of the screen's most popular romantic dramas. In short, it's a slam-dunk. Ed Hulse, Barnes & Noble
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