Lost Horizon with Ronald Colman: DVD Cover
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Lost Horizon Director: Frank Capra Cast: Ronald Colman, Edward Everett Horton, H.B. Warner, Jane Wyatt

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  • DVD Release Date: 08/31/1999
  • Original Release: 1937
  • Rating: Not Rated
  • Sales Rank: 1,124
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Viewer Rating: (6 ratings)

Detailed Rating: "Performances" See All

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  • Overview
  • Editorial Reviews
  • Scenes
  • Customer Reviews
  • Cast & Crew
  • Full Product Details

Scenes

Features

Digitally remastered audio and anamorphic video; Production notes; Interactive menus; Subtitles: English, Spanish, Portuguese, Chinese, Korean, Thai; Alternative ending; Restoration: Before and After Comparison; Three deleted scenes; Photo documentary with narration by historian Kendall Miller; Restoration commentary [1988] by film critic Charles Champlin and U.C.L.A. film restoration expert Robert Gill; Theatrical trailer; Scene selections

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Scene Index

Side #1 --
0. Scene Selections
1. Start [3:11]
2. Baskul [4:43]
3. Five Refugees [6:52]
4. Shanghaied [9:47]
5. Crash Landing [4:45]
6. Rescued [4:19]
7. Shangri-La [6:07]
8. No Contact [6:27]
9. "What is Shangri-La?" [3:59]
10. Father Perrault [6:12]
11. The Valley of the Moon [4:31]
12. Masks Removed [4:14]
13. Amazing News [2:18]
14. The High Lama [10:22]
15. "Lullaby & Goodnight" [2:03]
16. Sondra's Pigeons [10:53]
17. Waiting for the Bump [6:09]
18. "Age is a Limit." [2:29]
19. Transfer of Command [3:31]
20. "We're Leaving." [3:08]
21. Tales of Madness [9:40]
22. "He Will Return." [3:02]
23. Target Practice [1:45]
24. Avalanche [1:15]
25. The Echo Fades [4:52]
26. Found Alive [2:12]
27. Gainsford's Report [2:42]
28. Paradise Regained [1:22]

Scene Index

Editorial Reviews

It took British author James Hilton six weeks to write his visionary novel Lost Horizon. It took director Frank Capra two years-and half of his home studio Columbia's annual budget-to bring it to the screen. After a lengthy preamble, inviting audiences to imagine their own ideas of Utopia, the film opens on a chaotic scene at a Chinese airfield. As hordes of bandits approach, hundreds of refugees scramble to board the last plane out. Only five people make it: Mildly disenchanted Far Eastern diplomat Robert Conway (Ronald Colman), his hotheaded younger brother George (John Howard), embezzler Barnard (Thomas Mitchell), dithery fossil expert Lovett (Edward Everett Horton) and consumptive prostitute Gloria Stone (Isabel Jewell). As the plane flies off towards the Himalayas, Robert realizes that he and his fellow passengers are heading in the wrong direction. They are, in fact, being kidnapped-but why? And where to? The plane crash-lands in the snowy Tibetan interior. The pilot is killed, but the passengers are safe. By and by, a strange caravan approaches, led by an enigmatic Chinese named Chang (H. B. Warner). Joining the caravan, Conway and his party are led through a treacherous mountain pass and into a land of temperate weather and dazzling beauty. This is Shangri-La, the idyllic lamasery presided over by the aged, wizened High Lama (Sam Jaffe). In this fertile valley, people are not encumbered by such exigencies as crime, dictators and hatred; instead, everyone is devoted to the pursuit of wisdom and self-improvement-and best of all, the aging process has been slowed to a walk, allowing people to live well past the two-century mark. Though he still does not know why he was brought here, Conway is quicker to adapt to Shangri-La than his wary fellow passengers. He even falls in love with Sondra (Jane Wyatt), an attractive, intelligent young woman. Finally granted an audience with the High Lama, Conway discovers that the old man is actually Father Perrault, the Belgian missionary who founded Shangri-La-over two hundred years earlier. Dying, the High Lama has selected Conway, whose idealism and even-handedness is world famous, to succeed him-and hopefully spread the "love thy neighbor" edict of Shangri-La to the rest of the war-torn world. Conway is willing to assume leadership, but younger brother George, his mind poisoned by spiteful Shangri-La resident Maria (Margo), insists upon escaping to the outside world. The older Conway warns that, despite her youthful appearance, Maria is well past sixty and will surely perish once she leaves Shangri-La; but Maria retorts that the high lama is insane, and that everything he has told Conway is a lie. Disillusioned, Conway agrees to leave with Jack and Maria. The trek back to civilization is a grueling one, especially for Maria, who-true to Conway's prediction-shrivels from age and dies. Appalled that he has been misled, George kills himself. Weeks later, and amnesiac Conway stumbles into a Tibetan mission, where he is rescued and brought back to England. When his memory is restored, however, Conway runs back to Shangri-La, and into the arms of Sondra. When Lost Horizon was shown to preview audiences, it ran nearly three hours-and it was a disaster. In his autobiography, Capra claims to have rescued his pet project by merely burning the first two reels and opening the film with the evacuation scene; In fact, while Capra did remove the film's "flashback" framework, he made most of his cuts in the body of the picture. The release length of Lost Horizon was 132 minutes, pared down to 119 when it when into general distribution. When it was reissued in the 1940s and 1950s, it was rather clumsily pared down to anywhere from 95 to 100 minutes. Only in the mid-1980s was Lost Horizon restored to its original length, with stills used to illustrate certain scenes for which only the soundtrack existed. While not the enormous hit Capra and Columbia had hoped it would be, Lost Horizon was popular enough to allow the name "Shangri-La" enter the household-word category. In 1973, producer Ross Hunter felt the urge to inflict a wretched musical remake onto an unsuspecting public. Hal Erickson, All Movie Guide

Customer Reviews

A masterpiece of modern cinemaby Anonymous

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November 11, 2009: My only complaint of this recording is that it is not complete. It has the exact ending, pieces are missing that have been replaced by photographs and the sound recording, An exhaustive search was done to reconstruct the original film. Film libraries all over the world were used to search for pieces missing that might make it whole. It doesn't lack continuity, it never breaks up the thread of the screenplay. As a matter of fact whenever a photograph is used the sound recording for that scene is intact and played accordingly. A slight annoyance for such a masterpiece of a film.

It's an inexpensive addition to anyone's film library. The money spent is worthwhile and recommended to anyone. The message is eternal and applies to all people. Anyone who hasn't seen the film has missed out on an experience both emotional and spiritual. It implores mankind to seek the highest road and to settle for nothing short of excellence which he is capable of in every way.

Visually Magnificent, Unfortunate Undertow.by Hugo-Z-Hackenbush

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April 04, 2009: I might have liked Lost Horizon better if I had not recently watched Things to Come. I have watched Lost Horizon several times before, but this time I took a more critical stance. However, as a spectacle in and of itself, the film is beautiful, and Capra's masterful direction is put to full use. The acting is fine, and the substitution of stills for missing footage in no way harms the finisheed product. Nevertheless, there is a disturbing message in this film, which Ronald Colman condenses in a speech about war. What if, he opines, we just lay down our arms? The other fellows would see we were unarmed, and by example lay down their arms as well. You would end up with, he implies, Shangri-La. Lost Horizon premiered two years before WWII, and in hindsight, its Chamberlain approach and attitude is chilling. There is a tacit nod toward collectivism, communism, and by fiat, pacifism instead of freedom. Enjoy the visuals, but don't succomb to the opium smokers vision. I recommend Dragon Seed.

I Also Recommend: Katharine Hepburn 100th Anniversary Collection.


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