DVD - Wide Screen Learn more
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| DVD - Special Edition / Wide Screen / Includes book / Subtitled | $17.99 |
Digitally mastered audio and anamorphic video; Widescreen presentation; Audio: English 5.1 (Dolby Digital) and 2-Channel (Dolby Surround), Spanish, Portuguese; Subtitles: English, Spanish, Portuguese, Chinese, Korean, Thai; Director Gillian Armstrong's audio commentary; Deleted scenes with director's commentary; "Making-of" featurette; Two trivia games; Historical timeline; Isolated music score; Costume and set design gallery with Colleen Atwood's commentary; Theatrical trailers; Talent files; Production notes; Scene selections with motion images
Full Product DetailsSide #1 --
0. Scene Selections
1. Start [3:17]
2. Concord, Massachusetts [1:35]
3. Christmas Eve [9:32]
4. Laurie & Jo [8:52]
5. "Teacher Struck Me." [4:21]
6. Amateur Theatrics [5:41]
7. The Missing Manuscript [1:48]
8. The Ice on Walden Pond [2:39]
9. Preparing for the Ball [2:55]
10. The Coming-Out Party [8:07]
11. The Hummels [1:43]
12. Professional Author [9:12]
13. Father Returns [1:06]
14. Four Years Later [1:53]
15. Laurie Proposes [1:01]
16. New York [:31]
17. Debating the Vote [6:27]
18. Two Stories Published [7:48]
19. Amy & Laurie in France [1:11]
20. "I Find You Changed." [4:38]
21. An Honest Opinion [2:37]
22. Telegram [3:48]
23. With Beth [1:22]
24. Beth's Trunk [1:16]
25. Writing What She Knows [8:04]
26. A Daughter & a Son [1:55]
27. Little Women [2:16]
28. End Credits [4:40]
As unpredictable as youth, and told with rare gentleness, director Gillian Armstrong's 1994 film of Louisa May Alcott's Little Women (adapted by Robin Swicord) merits strong consideration in the pantheon of great literary adaptations. Armstrong's effort is the second filming of the book, following George Cukor's 1933 effort starring Katharine Hepburn. For the usual mysterious commercial reasons, Armstrong's film performed modestly at the box office, but that certainly can't be blamed on the cast, for they breathe more life into this story of the road from girlhood to womanhood than Cukor's august bunch. Susan Sarandon is Marmee March, a Massachusetts abolitionist during the Civil War raising four daughters while her husband is away with the Union army. Each of her daughters is uniquely strong and independent. Jo (Winona Ryder), the second daughter (who narrates the film), aspires to be a writer and finds a kindred spirit in neighbor Laurie Lawrence (Christian Bale, American Psycho). Her older sister Meg (Trini Alvarado) searches local society for a suitor, finding one in Laurie's tutor, John Brooke (Eric Stolz). Along with younger sisters Beth (Claire Danes) and Amy (Kirsten Dunst and later Samantha Mathis), Jo and Meg entertain themselves in an island of freedom during an age when women were second-class citizens. The bias against women -- best illustrated when Jo, as a struggling writer in New York, falls in love with Professor Friedrich Bhaer (Gabriel Byrne) -- only helps to strengthen the bonds of the four sisters and their mother. Matthew Johnson, Barnes & Noble
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