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2. Non Più Andrai (Le Nozze Di Figaro) Erich Kunz [1:26]
3. Ha, Wie Will Ich Triumphieren (Die Entführung Aus Dem Serail) Gottlob Frick [1:54]
6. Herr! Ich Bin Zwar Verbrecherin! (Die Zauberflöte) Hilde Gueden [7:54]
7. Bei Männern (Die Zauberflöte) Erich Kunz & Hilde Gueden [7:52]
8. O Isis Und Osiris! (Die Zauberflöte) Chorus [:12]
9. Der Vogelfänger Bin Ich Ja (Die Zauberflöte) Erich Kunz [:12]
10. Dies Irae (Requiem Mass in D Minor) Chorus [:12]
11. O Isis Und Osiris (Die Zauberflöte) Gottlob Frick [:12]
12. Ein Mädchen Oder Weibchen (Die Zauberflöte) Erich Kunz [:12]
13. Ach! Ich Fühls (Die Zauberflöte) Hilde Gueden [:12]
14. Es Siegte Die Stärke (Die Zauberflöte) Chorus [:12]
This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to. Tana Hobart, All Movie Guide