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16x9 Widescreen; English 5.1 and 2.0 Dolby Digital Audio; Exclusive never-before-seen musical performances; A conversation with Leonard Cohen; Audio Commemtary with director Lian Lunson; English and Spanish subtitles; Closed captioned
Full Product DetailsDisc #1 -- Leonard Cohen: I'm Your Man
1. A Great Tribute [3:23]
2. Jumping at the Chance [4:10]
3. Non Nostalgic [4:29]
4. The Real Masterpiece [3:14]
5. Everybody Knows [4:17]
6. The Traitor [7:35]
7. Song of Prayer [2:21]
8. Love Poems [4:25]
9. Beautiful Losers Preface [2:48]
10. Band of Poets [2:15]
11. Speaking the Language [6:00]
12. Hearing the Voice [6:27]
13. New York City Market [6:52]
14. All Stages [1:30]
15. Suzanne's Song [4:35]
16. Death of a Ladies' Man [1:49]
17. Can't Forget [3:21]
18. The Way [10:10]
19. Eclectic Ensemble [3:04]
20. Halleluiah [5:02]
21. Noble Warrior [2:39]
22. Tower of Song [6:52]
23. Those Days Are Gone [1:09]
24. Swan Song [4:17]
By turns a concert film and a biographal portrait, I’m Your Man attempts to capture the elusive essence of poet and songwriter Leonard Cohen. Cohen’s music is represented by various artists performing at a tribute organized by the innovative producer Hal Wilner, while the Canadian wordsmith slips in and out of the narrative as a talking head, discussing the vagaries of his eventful life. The consistent beauty and passion of the performances reflect the admiration felt by a disparate assembly of singers that includes Nick Cave, Rufus and Martha Wainwright, Kate and Anna McGarrigle, Jarvis Cocker from the Brit-pop band Pulp, New York cult figure Anthony, and neo-folkers Teddy Thompson and Beth Orton. Highlights include Cave’s mordant reading of “I’m Your Man,” Martha Wainwright’s chilling “The Traitor,” Thompson’s shyly romantic “Tonight Will Be Fine,” Rufus’s campily tangoed “Everybody Knows,” and a heartbreaking “If It Be Your Will” by the androgynous-voiced Antony. Woven throughout are Cohen’s own quiet, penetrating reflections and observations on a life that has encompassed la vie de bohème in Montreal, '60s revelry at the Chelsea Hotel, world fame as a singer-songwriter, and extended studies at a Buddhist retreat. When the master finally sings a closing “Tower of Song” -- in a studio performance supportedd by an adoring U2 -- the payoff is more than worth the anticipation. Steve Futterman, Barnes & Noble
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