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Closed Caption; Extended movie version with alternate opening; Commentary by composer David Raksin and Wesleyan University film professor Jeanine Basinger; Commentary by film historian/author Rudy Behlmer; Documentaries; "Gene Tierney: A Shattered Portrait" and "Vincent Price: The Versatile Villian" as seen on Biography on the A&E Network; Deleted scene with optional commentary by Rudy Behlmer; Theatrical trailer
Full Product DetailsSide #1 --
1. Main Titles [1:07]
2. Interrogation [5:36]
3. A Question of Motive [4:24]
4. The Apartment [3:28]
5. Initial Encounter [:40]
6. Character Assassination [6:15]
7. A Job Interview [:08]
8. Background Check [:35]
9. Confrontation [1:40]
10. Decision Time [2:58]
11. Cheap Scotch [2:33]
12. Falling in Love [:30]
13. Surprise Entrance [2:35]
14. Shelby's Tale [1:52]
15. Too Much [4:04]
16. Celebration [1:45]
17. Prime Suspect [6:15]
18. Grilled [3:46]
19. Like Clockwork [2:21]
20. A Second Chance [7:12]
In many ways, Otto Preminger's hypnotically stylish adaptation of Vera Caspary's novel (and his first major feature) adheres to film noir conventions. It is a dark, melodramatic thriller, awash in cool shadows and snappy dialogue. Yet the film also possesses an air of refined urbanity and offbeat elegance, qualities not usually found among the moody mysteries and tortured love stories of the noir genre. Plotwise, Laura hits the ground running. In the opening sequences, we quickly learn that titular beauty Laura Hunt (Gene Tierney) has been found on the floor of her home, murdered. Almost immediately, it is up to detective Mark McPherson (Dana Andrews) to find the killer. Aided only by a breathtaking portrait of the deceased, McPherson systematically grills the small coterie of eccentrics who knew her best and, in the process, finds he is falling in love with her. The compelling whodunit story line -- including a surprise appearance by Laura herself -- keeps viewers riveted, but it is Preminger's casting of the film that makes it unforgettable. Before Laura, neither of the leads was a Hollywood superstar; yet under Preminger's baton, Andrews transforms McPherson into a man possessed, while Tierney turns in the most glamorous role of her film career. (Both actors would work with Preminger again, notably in the 1950 noir jewel, Where the Sidewalk Ends.) Broadway veteran Clifton Webb also drew raves with his winning turn as sassy columnist Waldo Lydecker, and composer David Raksin contributed the stirring title theme -- itself a classic study in enigmatic beauty. Bruce Kluger, Barnes & Noble
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