DVD - 3 Disc Set Learn more
Closed Caption; ; 9 To 5; Feature Commentary by Producer Bruce Gilbert and Actors Jane Fonda, Lily Tomlin and Dolly Parton; ; "Nine @25" Featurette; 10 Deleted Scenes; "Remembering Colin Higgins" Featurette; Gag Reel; "Nine To Five" Karaoke; ; The Rose; Commentary by Director Mark Rydell; Theatrical Trailer
Full Product DetailsDisc #1 -- 9 To 5
1. Main Titles [2:33]
2. The New Job [3:15]
3. Mr. Hart [:59]
4. Doralee [2:50]
5. More Than a Secretary [1:31]
6. The Xerox Room [:48]
7. Dick [4:56]
8. The Daily Grind [2:53]
9. Color-Coded Accounts [1:27]
10. Bad News [1:21]
11. The Last Straw [1:35]
12. The Pink-Colored Ghetto [2:32]
13. Pot Party [1:11]
14. Hunting Hart [:47]
15. A Taste of His Own Medicine [1:17]
16. Gruesome, Horrible & Cute [3:03]
17. A Dream Come True? [1:35]
18. It's All Over [:23]
19. No Body, No Autopsy [3:36]
20. What Happened to Hart? [1:59]
21. A Short in the Trunk [1:33]
22. Back to Work [4:47]
23. All Tied Up [6:24]
24. Abducted [:10]
25. We've Got Him! [2:27]
26. The Phantom Boss [3:33]
27. Changing the Rules [1:27]
28. Judy's Other Man [3:37]
29. We've Been Had! [1:10]
30. The Man Responsible [2:21]
31. Chance of a Lifetime [1:42]
32. Epilogue/End Titles [2:15]
Disc #2 -- Hello, Dolly!
1. "Just Leave Everything To Me" [6:34]
2. Main Titles [:46]
3. Vandergelder's Feed and Hay [2:14]
4. "It Takes a Woman" [4:06]
5. "It Takes a Woman (Reprise)" [1:56]
6. Let's Elope! [3:46]
7. "Out There" [4:24]
8. "Put On Your Sunday Clothes" [1:58]
9. Irene Molloy [:20]
10. "Ribbons Down My Back" [4:48]
11. Mr Vandergelder Arrives [1:15]
12. "Dancing" [:25]
13. "Before the Parade Passes By" [3:54]
14. Intermission [2:53]
15. Out For Dinner [:12]
16. "Elegance" [7:06]
17. "Love Is Only Love" [:24]
18. Harmonia Gardens [5:57]
19. Dolly Is Coming! [2:13]
20. The Truth [:55]
21. "Hello, Dolly!" [5:49]
22. The Dance Competition [3:08]
23. "It Only Takes A Moment" [4:55]
24. "So Long Dearie" [5:46]
25. Dolly's Decision [2:10]
26. "Finale" [3:46]
27. End Titles [4:14]
28. Exit Music [2:57]
Disc #3 -- The Rose
1. Main Titles [:04]
2. The Entertainer [3:58]
3. The Manager [:30]
4. Another Concert [1:27]
5. Billy Ray [7:04]
6. Car and Driver [1:06]
7. A Truck Stop [6:51]
8. Old Friends [5:46]
9. At the Plaza [3:15]
10. Five Hours Late [2:36]
11. The Baths [3:06]
12. In Love [3:24]
13. On Tour [:31]
14. Sarah [6:24]
15. Going Home [5:46]
16. Fired [3:13]
17. Monte's [:58]
18. Before the Concert [4:01]
19. Lights Out [5:17]
20. End Titles [2:56]
Twenty-seven-year-old Barbra Streisand seemed an inappropriate choice for middle-aged, match-making widow Dolly Levi, but her energy carries her right through the role and dominates the lackluster movie around her. The plot, drawn from Thornton Wilder's The Matchmaker (itself based on a 19th-century British farce), is set in motion when Yonkers feed store clerk Cornelius Hackl (Michael Crawford) celebrates his promotion by taking his pal Barnaby Tucker (Danny Lockin) to New York City for a "corking good time." But Cornelius and Barnaby can't avoid crossing paths with their boss Horace Vandergelder (Walter Matthau), who'd give them Holy Ned if he saw them in a fancy restaurant with two fancy girls instead of tending the store. Mr. Vandergelder himself is the object of Dolly's affections, though she pretends to have only a professional interest in the widowed merchant, going through the motions of finding him a new wife when in fact she'd like to be the lucky bride herself. The film's musical set pieces include a show-stopping rendition of the title number, with Louis Armstrong more or less playing himself. The biggest number is "Before the Parade Passes By," in which thousands of costumed marchers and atmosphere extras cavort before a huge replica of a New York City thoroughfare in the 1890s (actually the main entrance of the 20th Century-Fox studio, with period facades adorning the office buildings). An artifact of an era in which Broadway musicals were a significant part of popular culture, Hello Dolly seemed bizarrely irrelevant in the social turmoil of the late 1960s, and it became one of the late-1960s big-budget failures that led Hollywood studios toward a different kind of filmmaking in the 1970s. Hal Erickson, All Movie Guide
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