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| Blu-ray - Wide Screen | $19.94 |
| UMD for Sony PSP | $9.99 |
"The Making of Kill Bill Vol. 2," with interviews, comments and on-set visits; footage from the premiere party, including a Chin Gon performance; deleted scene featuring David Carradine and Michael Jai White, who doesn't appear at all in the film's final cut.
Full Product DetailsSide #1 --
1. "I Am Gonna Kill Bill" [1:59]
2. Chapter Six Massacre at Two Pines [3:27]
3. "Are You Gonna Be Nice?" [9:22]
4. "That Woman Deserves Her Revenge, and We Deserve to Die" [3:17]
5. Chapter Seven the Lonely Grave of Paula Schultz [4:44]
6. A Satisfied Mind [8:02]
7. "This Is for Breaking My Brother's Heart" [8:17]
8. Chapter Eight the Cruel Tutelage of Pai Mei [18:19]
9. "Ok Pai Mei, Here I Come" [5:33]
10. Chapter Nine Elle and I [11:34]
11. "Bitch, You Don't Have a Future" [6:31]
12. Last Chapter Face to Face [6:34]
13. "Bang, Bang" [4:26]
14. Emilio's Story [7:52]
15. Superman Speech [9:27]
16. Pregnancy Test [5:36]
17. "You and I Have Unfinished Business" [6:56]
18. Next Morning [1:54]
19. End Credits [12:52]
The adventures of the Bride (Uma Thurman) continue in Kill Bill Volume 2, the second half of Quentin Tarantino's audacious homage to Hong Kong cinema and the wildly outré potboilers of the drive-in era. Originally intended as the second half of one long film, the sequel picks up where Kill Bill left off, with two members of the Deadly Viper Assassination Squad dispatched and two more standing between the vengeance-seeking Bride and her former lover and mentor, the quietly philosophical Bill (David Carradine). Volume 2, while not quite as action-packed as its predecessor, is every bit as entertaining in the same over-the-top manner, yet full of the pop culture-spouting dialogue that was missing in Volume 1. The standout sequence is the much-anticipated showdown between the Bride and Elle Driver, the eye patch-wearing assassin played with delicious malevolence by Daryl Hannah. It's a set piece that literally brings the house down. Hannah is absolutely terrific, as is the willowy Thurman, who looks better than she ever has on film -- when she's not drenched in blood, that is. But the top acting honors go to Carradine, whose lengthy banishment to the cinematic outlands of direct-to-video schlock made people forget how good he could be. Tarantino's writing and direction is predictably self-indulgent, but every frame of Kill Bill: Volume 2 is suffused with his love of cinema -- and not just cinema spelled with a capital C. Mr. Q is nothing if not egalitarian, cinematically speaking, and the movie's baroque styling reflects influences you'll never find cited by stuffy academics. This is joyfully exuberant filmmaking at its least restrained, a free-form triumph of style over substance -- and very likely the most exhilarating disc you'll see for some time. Ed Hulse, Barnes & Noble
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