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The making of Kill Bill, Vol. 1; Bonus musical performances by "The 5, 6, 7, 8's"
Full Product DetailsOddly billed as "The 4th Film by Quentin Tarantino," Kill Bill, Vol. 1 is the film-geek auteur's self-consciously ostentatious fusion of American gangster movies, Japanese manga, and Chinese martial-arts films. Willowy Uma Thurman stars as a female assassin targeted for extinction on her wedding day by former coworkers under the direction of her mysterious old boss, Bill (David Carradine). After spending years in a coma, she unexpectedly revives and sets out to wreak vengeance on the killers who murdered her loved ones. Vivica A. Fox and Lucy Liu are the first team members to feel Uma's wrath, and there are more to follow, presumably in Vol. 2. (Shortly before release, the epic film was cut into two shorter parts.) There's no more plot than this; Tarantino presents just enough exposition to prepare the viewer for a succession of over-the-top fight scenes, each more outlandish than the last. His visual and aural references to various films are too numerous to count, although you don't have to be familiar with the other movies to enjoy this one. Kill Bill represents the director at his dynamic best: Totally unrestrained and supremely self-assured, Tarantino has manufactured a great big gob of eye candy -- a flamboyantly excessive piece of entertainment that reflects not just his reverence for movies but also his love of the filmmaking process. Remarkably, the movie lacks the witty, hard-boiled dialogue that helped build Tarantino's fan base. Not that it’s really missed, as the fast-paced, blood-soaked mayhem manages to mesmerize just the same, and certainly whets appetite for Vol. 2. Ed Hulse, Barnes & Noble
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