Jules and Jim with Jeanne Moreau: DVD Cover
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Jules and Jim
a.k.a. Jules et Jim, Jules and Jim Director: François Truffaut Cast: Jeanne Moreau, Oskar Werner, Henri Serre, Marie Dubois

DVD - 2 Disc Set - Black & White / Wide Screen Learn more

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  • DVD Release Date: 05/31/2005
  • Original Release: 1962
  • Rating: Not Rated
  • Sales Rank: 499

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Features

New, restored high-definition digital transfer, supervised by director of photography Raoul Coutard; Two audio commentaries: one featuring co-writer Jean Gruault, Truffaut collaborator Suzanne Schiffman, editor Claudine Bouché, and film scholar Annette Insdorf; the other featuring legendary actress Jeanne Moreau and Truffaut biographer Serge Toubiana; Excerpts from The Key to Jules and Jim (1985), a documentary on author Henri-Pierre Roché and the true stories on which the novel and film are based; Truffaut on Roché, from the French program Bibliothèque de Poche (1966); Theatrical trailer; New and improved English subtitle translation; New video interview with Coutard; Video interview with Gruault; New video conversation between scholars Robert Stam and Dudley Andrew; Excerpt from a 1965 episode of the French television program Cinéastes de Notre Temps dedicated to François Truffaut; Segment from the French program L'Invité du Dimanche (1969), featuring Truffaut, Moreau, and Jean Renoir; Excerpts from Truffaut's first appearance on American television, a 1977 interview with New York Film Festival director Richard Roud; Excerpts from a 1979 American Film Institute Dialogue on Film given by Truffaut; Archival audio interview of Truffaut by Claude-Jean Philippe (1980); 44-page booklet featuring an essay by film critic John Powers, reprints of Truffaut's writings, and a Pauline Kael review

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Scene Index

Side #1 -- Disc One
1. Credits/A Friendship [2:36]
2. Thérèse [4:52]
3. A Calm Smile [3:43]
4. Catherine [1:06]
5. Thomas [3:15]
6. Burning Lies [2:39]
7. Traces of Civilization [3:26]
8. At the Beach [1:39]
9. Learning to Laugh [1:43]
10. Catherine's Leap [4:23]
11. Good News [3:17]
12. The War [4:47]
13. An Angel Passes [8:01]
14. Speaking of Catherine [2:58]
15. Jim and Catherine [7:29]
16. War Stories [3:28]
17. "Le Tourbillon de la Vie" [2:28]
18. Elective Affinities [4:14]
19. Village Idiots [4:31]
20. Jim in Paris [3:42]
21. Gilberte [1:23]
22. Catherine the Queen [3:15]
23. Changing Alliances [6:38]
24. Parting [2:36]
25. Separation [3:33]
26. Reunions [5:19]
27. Jim's Story [4:02]
28. Catherine's Final Gesture [5:00]
1. Introductions [2:36]
2. Bernard Largemains/Marie Dubois [4:52]
3. Serge Rezvani/Common Interests [3:43]
4. The Most Compelling Creation [1:06]
5. Cutting Room/Gender Roles [3:15]
6. A Naïve Film [2:39]
7. Writing and Directing [3:26]
8. Many Men/Few Women [1:39]
9. Obnoxious Kid/Complex Woman [1:43]
10. Roché/Feminism [4:23]
11. Picasso and "The Marseillaise" [3:17]
12. Stock Footage/Oskar Werner [4:47]
13. Editing/The Actors [8:01]
14. Discoveries on the Set [2:58]
15. Family/Henri Serre [7:29]
16. Recording Sound [3:28]
17. Catherine/Collective Effort [2:28]
18. The Privacy of Windows [4:14]
19. Women Are Stronger [4:31]
20. How the Story Is Told/Extras [3:42]
21. A Team Player [1:23]
22. Freedom in Editing [3:15]
23. Hitchcock/The Key Scene [6:38]
24. The Fog/An Irresistible Force [2:36]
25. The Mystery of Catherine [3:33]
26. Going Past the Story/Voice-Over [5:19]
27. A Goddess, Not a Woman [4:02]
28. Fragility [5:00]
1. Meeting Truffaut [2:36]
2. Like a Song [4:52]
3. Roché's Notebooks [3:43]
4. A Film That Has Traveled Well [1:06]
5. Making the Same Film [3:15]
6. Acting Is Not Lying [2:39]
7. Friendship/Joie de Vivre [3:26]
8. Perfectly in Synch [1:39]
9. A Small Gesture of Cruelty [1:43]
10. A Fixed Moment/The Leap [4:23]
11. Diplomatic Son [3:17]
12. Depicting the War/Reality [4:47]
13. Three Individuals [8:01]
14. Rebellion and Acceptance [2:58]
15. Arrogance/Paradise Lost [7:29]
16. Direct Sound/Appolinaire [3:28]
17. An Essential Song [2:28]
18. The Cruelty of Freedom [4:14]
19. An Independent Woman [4:31]
20. Henri Serre [3:42]
21. The Couple [1:23]
22. A Wonderful Gift [3:15]
23. Nostalgia/One Take [6:38]
24. Right to Left [2:36]
25. A War of Letters [3:33]
26. Moulin d'Andé/Defining Statements [5:19]
27. Catherine Betrays Catherine [4:02]
28. People Forget [5:00]
1. A Triangle [2:42]
2. Helen Hessel [7:35]
3. Franz Hessel [6:04]
4. Henri-Pierre Roché [7:20]
5. The Triangle Breaks [7:30]
Side #2 -- Disc Two
1. Jeanne Exposes François [5:29]
2. Working With Truffaut [6:20]
3. The Opposite of François [5:06]
4. Avenue Frochet [7:41]
5. The Letter [7:21]
1. A Film Brimming With Text [3:25]
2. Truffaut vs. the Legion of Decency [2:45]
3. Two Kids in Love With Their Mother [1:49]
4. The Lightness of Lubitsch [2:09]
5. An Autobiographical Novel [1:37]
6. Oskar Werner and Henri Serre [3:45]
7. Circle and Triangle [4:30]
8. How to Illustrate Friendship [2:08]
9. Jean Gruault [3:54]
10. An Element of Exaltation [1:54]
1. Truffaut Is Not Doinel [4:16]
2. Adapting Roché [6:14]
3. The Abstract and the Concrete [2:45]
4. Differing Imaginations [4:38]
5. 00-14 (aka Belle Époque) [2:51]

Scene Index

Editorial Reviews

This beautiful period romance, a virtually flawless motion picture that encompasses all the virtues of cinematic drama, is arguably the best ever directed by French filmmaker François Truffaut, whose previous works -- The 400 Blows (1959) and Shoot the Piano Player (1960) -- had already cemented his reputation among cosmopolitan moviegoers. Released in 1961, Jules and Jim reaffirmed the critic-turned-filmmaker’s standing as one of the New Wave’s leading lights. In the years just preceding World War I, two friends -- the German Jules (Oskar Werner) and the Frenchman Jim (Henri Serre) -- both love the beautiful Catherine (Jeanne Moreau). While reluctant to hurt either suitor, Catherine eventually chooses one over the other, but the war intervenes and changes everything. Truffaut’s tale of friendship is loaded with cinematic allusions, including one to Charlie Chaplin’s 1921 silent classic The Kid, and it’s an overt homage to Jean Renoir. Yet Jules and Jim is a unique piece of filmmaking in its own right, thanks to the director’s clarity of vision and masterly employment of various cinematic devices to express the characters’ shifting moods. As convincing as they are likable, the three leading players have never been better onscreen. Moreau’s charming rendition of “Le Tourbillon” made that song a surprise hit, although the sequence is only one of many memorable ones in this unforgettable masterpiece. Ed Hulse, Barnes & Noble

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