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Closed Caption; Feature commentary with writer/director Kevin Smith and actor Ben Affleck; Feature commentary with Kevin Smith, producer Scott Mosier, and special guest Jason Mewes; From Mallrats to Jersey Girl: Kevin Smith and Ben Affleck talk shop; The Tonight Show's "Roadside Attractions" featuring Kevin Smith; Behind-the-scenes special; Text interviews with cast & crew; French-language track; Spanish subtitles
Full Product DetailsSide #1 --
1. My Family... [2:41]
2. "The Only Way We're Gonna Work" [7:26]
3. "We Lost Her" [6:21]
4. Back to Work [4:22]
5. "Try Acting Like a Father" [5:11]
6. The Next Best Thing [7:19]
7. Gertie Age Seven [4:37]
8. "What Are Your Intentions?" [3:27]
9. The Sympathetic Widower [6:03]
10. A Date With Dad [2:57]
11. Crushing [6:59]
12. Slinging Bullsh*t [5:57]
13. Daddy Wants... [8:56]
14. My City of Ruins [:41]
15. "If I Was a Smart Man" [6:34]
16. "God. That's Good" [5:52]
17. The Only Thing... [7:35]
18. End Credits [4:45]
Filmmaker Kevin Smith, a Garden State native who cut his directorial eyeteeth on the gritty indie Clerks, completes his gradual move into the mainstream with Jersey Girl, a formulaic romantic comedy that relies on Smith’s sharp dialogue and winning performances by Ben Affleck and Liv Tyler to give it some edge. Ben plays a hard-charging New York publicist who seems to have it all: great job, luxurious Manhattan lifestyle, and a gorgeous wife (portrayed by Affleck’s ex-fiancé, Jennifer Lopez); but he goes to pieces after she dies in childbirth. He loses his high-powered job, moves back to New Jersey with his young daughter, and takes a dead-end job as a laborer. He spends the next seven years in a funk, snapping out of it only when a kooky video store clerk (Tyler) takes a romantic interest in him. Jersey Girl is a real departure for Smith; it doesn’t have the shiftless stoners, profane dialogue, or outrageous situations commonly found in his films. And he tones down his customary reliance on pop culture references, too. Instead, he focuses on developing the story’s principal characters, making them warm and believable. Affleck is not only credible but also sympathetic as the long-bereaved dad fearful of surrendering his heart to another woman. Tyler, who has seemed flat and colorless in her few outings as a conventional ingénue, lights up the screen as the honest, irrepressible, slightly odd young woman he reluctantly falls for. George Carlin is appropriately gruff as Affleck’s blue-collar dad, and little Raquel Castro manages to be cute but not cloying as the daughter. The working-class New Jersey milieu is accurately depicted, and the characters are so engaging that we’re willing to forgive Smith when he drags in threadbare narrative devices to bring the story to a satisfactory conclusion. Ed Hulse, Barnes & Noble
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