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Mission dossier; Ministry of propaganda; Audio commentary
Full Product DetailsDisc #1 -- James Bond: Thunderball - Feature Film
1. Chapter 1 [4:43]
2. Chapter 2 [2:59]
3. Chapter 3 [3:49]
4. Chapter 4 [6:54]
5. Chapter 5 [4:18]
6. Chapter 6 [3:26]
7. Chapter 7 [3:08]
8. Chapter 8 [7:41]
9. Chapter 9 [1:46]
10. Chapter 10 [5:13]
11. Chapter 11 [4:39]
12. Chapter 12 [5:35]
13. Chapter 13 [4:30]
14. Chapter 14 [2:48]
15. Chapter 15 [1:17]
16. Chapter 16 [3:21]
17. Chapter 17 [8:06]
18. Chapter 18 [6:58]
19. Chapter 19 [4:34]
20. Chapter 20 [2:55]
21. Chapter 21 [3:01]
22. Chapter 22 [5:04]
23. Chapter 23 [4:43]
24. Chapter 24 [6:51]
27. Chapter 25 [2:43]
25. Chapter 26 [1:54]
27. Chapter 27 [2:38]
28. Chapter 28 [7:34]
29. Chapter 29 [1:33]
30. Chapter 30 [3:07]
31. Chapter 31 [1:20]
32. Chapter 32 [:51]
Disc #3 -- James Bond: The Spy Who Loved Me - Feature Film
1. Chapter 1 [:47]
2. Chapter 2 [5:09]
3. Chapter 3 [2:06]
4. Chapter 4 [4:30]
5. Chapter 5 [2:38]
6. Chapter 6 [2:45]
7. Chapter 7 [2:33]
8. Chapter 8 [2:41]
9. Chapter 9 [4:11]
10. Chapter 10 [5:29]
11. Chapter 11 [7:02]
12. Chapter 12 [6:11]
13. Chapter 13 [2:19]
14. Chapter 14 [2:34]
15. Chapter 15 [2:11]
16. Chapter 16 [4:18]
17. Chapter 17 [3:37]
18. Chapter 18 [4:48]
19. Chapter 19 [4:36]
20. Chapter 20 [6:22]
21. Chapter 21 [5:38]
22. Chapter 22 [2:47]
23. Chapter 23 [5:37]
24. Chapter 24 [3:44]
25. Chapter 25 [1:25]
26. Chapter 26 [4:21]
27. Chapter 27 [8:17]
28. Chapter 28 [5:15]
29. Chapter 29 [3:41]
30. Chapter 30 [1:51]
31. Chapter 31 [4:10]
32. Chapter 32 [1:45]
Disc #5 -- James Bond: A View to Kill - Feature Film
1. Chapter 1 [6:14]
2. Chapter 2 [3:24]
3. Chapter 3 [3:05]
4. Chapter 4 [2:38]
5. Chapter 5 [2:37]
6. Chapter 6 [4:03]
7. Chapter 7 [3:23]
8. Chapter 8 [3:41]
9. Chapter 9 [6:31]
10. Chapter 10 [3:30]
11. Chapter 11 [1:28]
12. Chapter 12 [1:08]
13. Chapter 13 [2:10]
14. Chapter 14 [3:16]
15. Chapter 15 [5:04]
16. Chapter 16 [1:52]
17. Chapter 17 [1:36]
18. Chapter 18 [2:46]
19. Chapter 19 [3:17]
20. Chapter 20 [4:48]
21. Chapter 21 [6:07]
22. Chapter 22 [4:18]
23. Chapter 23 [3:54]
24. Chapter 24 [3:01]
25. Chapter 25 [9:10]
26. Chapter 26 [5:55]
27. Chapter 27 [2:49]
28. Chapter 28 [4:49]
29. Chapter 29 [6:26]
30. Chapter 30 [6:04]
31. Chapter 31 [9:11]
32. Chapter 32 [2:38]
Disc #7 -- James Bond: Licence to Kill - Feature Film
1. Chapter 1 [8:36]
2. Chapter 2 [2:48]
3. Chapter 3 [4:18]
4. Chapter 4 [2:43]
5. Chapter 5 [9:03]
6. Chapter 6 [3:55]
7. Chapter 7 [1:23]
8. Chapter 8 [3:23]
9. Chapter 9 [4:28]
10. Chapter 10 [2:48]
11. Chapter 11 [2:22]
12. Chapter 12 [1:29]
13. Chapter 13 [2:56]
14. Chapter 14 [4:20]
15. Chapter 15 [2:39]
16. Chapter 16 [4:25]
17. Chapter 17 [9:23]
18. Chapter 18 [3:15]
19. Chapter 19 [5:37]
20. Chapter 20 [5:17]
21. Chapter 21 [4:58]
22. Chapter 22 [1:54]
23. Chapter 23 [5:58]
24. Chapter 24 [4:20]
25. Chapter 25 [6:50]
26. Chapter 26 [5:09]
27. Chapter 27 [1:52]
28. Chapter 28 [4:34]
29. Chapter 29 [4:10]
30. Chapter 30 [2:58]
31. Chapter 31 [2:05]
32. Chapter 32 [2:43]
Disc #9 -- James Bond: Die Another Day - Feature Film
1. Chapter 1
2. Chapter 2
3. Chapter 3
4. Chapter 4
5. Chapter 5
6. Chapter 6
7. Chapter 7
8. Chapter 8
9. Chapter 9
10. Chapter 10
11. Chapter 11
12. Chapter 12
13. Chapter 13
14. Chapter 14
15. Chapter 15
16. Chapter 16
17. Chapter 17
18. Chapter 18
19. Chapter 19
20. Chapter 20
21. Chapter 21
22. Chapter 22
23. Chapter 23
24. Chapter 24
25. Chapter 25
26. Chapter 26
27. Chapter 27
28. Chapter 28
29. Chapter 29
30. Chapter 30
31. Chapter 31
32. Chapter 32
For those who favor the 007 adventures featuring Roger Moore as the dashing secret agent, Volume 2 of the Ultimate Collection is a fine place to start. Opinions on Bonds vary, as do opinions of the outings within each actor’s stretch. But to these eyes, Moore’s best outing was his third -- 1977’s The Spy Who Loved Me -- a rousing, opulently produced thriller that introduced Richard Kiel as the memorably murderous metal-mouth, Jaws. Balancing that gem is A View to a Kill (1985), Moore’s last go-round in the role, which flirts too openly with self-parody for its own good. Still, the tandem casting of Christopher Walken and Grace Jones makes it the Bond choice for camp fans, and ripe for reevaluation. Thunderball (1965), Sean Connery’s fourth Bond opus, reflects the series’ increasing emphasis on gadgetry and lavishly mounted action set pieces; in this case, a climactic underwater battle between 007’s allies and the baddies led by Adolfo Celi’s Emilio Largo. It also teems with beautiful Bond Girls (Claudine Auger, Luciana Paluzzi, Martine Beswick) who fall under the spell of Connery’s trademark insouciant charm. License to Kill (1989), Timothy Dalton’s last series entry, is a relatively sober thriller distinguished by some surprising plot twists and the presence of two delectable ladies, Carey Lowell and Talisa Soto. The most recent film, Die Another Day, (2002), offers Pierce Brosnan’s swan song -- a real shame, inasmuch as he had finally grown into the demanding role. His capable counterpart, Halle Berry, etched a character (Jinx Jordan) so well received that producers considered spinning it off into a separate series. Like the other three boxes in the Ultimate Collection, this set packs five films, each in a two-disc set loaded with new extras, including commentaries, archival material, and more. Ed Hulse, Barnes & Noble
More reviews and recommendationsFor those who favor the 007 adventures featuring Roger Moore as the dashing secret agent, Volume 2 of the Ultimate Collection is a fine place to start. Opinions on Bonds vary, as do opinions of the outings within each actor’s stretch. But to these eyes, Moore’s best outing was his third -- 1977’s The Spy Who Loved Me -- a rousing, opulently produced thriller that introduced Richard Kiel as the memorably murderous metal-mouth, Jaws. Balancing that gem is A View to a Kill (1985), Moore’s last go-round in the role, which flirts too openly with self-parody for its own good. Still, the tandem casting of Christopher Walken and Grace Jones makes it the Bond choice for camp fans, and ripe for reevaluation. Thunderball (1965), Sean Connery’s fourth Bond opus, reflects the series’ increasing emphasis on gadgetry and lavishly mounted action set pieces; in this case, a climactic underwater battle between 007’s allies and the baddies led by Adolfo Celi’s Emilio Largo. It also teems with beautiful Bond Girls (Claudine Auger, Luciana Paluzzi, Martine Beswick) who fall under the spell of Connery’s trademark insouciant charm. License to Kill (1989), Timothy Dalton’s last series entry, is a relatively sober thriller distinguished by some surprising plot twists and the presence of two delectable ladies, Carey Lowell and Talisa Soto. The most recent film, Die Another Day, (2002), offers Pierce Brosnan’s swan song -- a real shame, inasmuch as he had finally grown into the demanding role. His capable counterpart, Halle Berry, etched a character (Jinx Jordan) so well received that producers considered spinning it off into a separate series. Like the other three boxes in the Ultimate Collection, this set packs five films, each in a two-disc set loaded with new extras, including commentaries, archival material, and more. Ed Hulse
Timothy Dalton is better in Licence to Kill than in his first James Bond endeavor (The Living Daylights), but he still seems uncomfortable on the right side of the law. This time around, Bond is working on his own rather than on behalf of the British Secret Service. His American friend Felix Leiter (David Hedison), an agent of the Drug Enforcement Administration, has been seriously injured by drug dealer Robert Davi, and 007 is out for blood. There is precious little time for the usual Bondian quippery and directorial campiness, resulting in a marked increase in bloodletting (including the "implosion" of secondary villain Anthony Zerbe). A climactic highway chase involving an oil tanker and a helicopter is stretched slightly beyond its value, but is still one of the best action setpieces in any Bond film. Licence to Kill was a refreshingly serious change of pace for the series, albeit one that tended to lessen Bond's box-office value. Hal Erickson
Though not Ian Fleming's most famous James Bond novel, 1962's The Spy Who Loved Me was distinguished by the unique device of telling the story from the heroine's point of view; in fact, Bond doesn't make an appearance until the book is two-thirds over. This would hardly work in the film world's Bond franchise, so the original austere plotline of the novel was eschewed altogether in favor of a labyrinthine story involving outer-space extortion. The leading lady, a "hard-luck kid" in the original, is now sexy Russian secret agent Barbara Bach, who joins forces with Bond (Roger Moore, making his third appearance as 007) to foil yet another megalomaniac villain (Curt Jurgens), who plans to threaten New York City with nuclear weaponry. Beyond the eye-popping opening ski-jump sequence, the film's best scenes involve seven-foot-two Richard Kiel as steel-toothed henchman Jaws. Fifteen scriptwriters worked on The Spy Who Loved Me; only two were credited, including Bond-film veteran Richard Maibaum. Hal Erickson
Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counter-Terrorism, Revenge and Extortion). This time, SPECTRE hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). Hal Erickson
Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin's statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond. Judd Blaise
Pierce Brosnan makes his fourth appearance as suave super-spy James Bond in this espionage thriller, the 20th film in the official Bond series. While on assignment in North Korea, Bond is captured by government agents, where he's imprisoned and tortured for over a year. When Bond finally wins his freedom, not everyone is certain 007 is still capable of doing the job, but after Zao (Rick Yune), the North Korean operative who snared Bond, is discovered to be in cahoots with unscrupulous entrepreneur Gustav Graves (Toby Stephens), Bond is back on the case, and he finds the two men have sinister plans which could decide the fate of the world. As Bond hops from England to Cuba to Korea to Iceland in pursuit of his quarry, he (as usual) makes the acquaintance of two beautiful and mysterious women, Jinx (Halle Berry) and Miranda Frost (Rosamund Pike). Judi Dench and John Cleese return in Die Another Day as, respectively, Bond's superior M and gadget-master Q; Madonna contributes the film's theme song and makes a cameo appearance as a fencing instructor. Mark Deming
Disc #1 -- James Bond: Thunderball - Feature Film
1. Chapter 1 [4:43]
2. Chapter 2 [2:59]
3. Chapter 3 [3:49]
4. Chapter 4 [6:54]
5. Chapter 5 [4:18]
6. Chapter 6 [3:26]
7. Chapter 7 [3:08]
8. Chapter 8 [7:41]
9. Chapter 9 [1:46]
10. Chapter 10 [5:13]
11. Chapter 11 [4:39]
12. Chapter 12 [5:35]
13. Chapter 13 [4:30]
14. Chapter 14 [2:48]
15. Chapter 15 [1:17]
16. Chapter 16 [3:21]
17. Chapter 17 [8:06]
18. Chapter 18 [6:58]
19. Chapter 19 [4:34]
20. Chapter 20 [2:55]
21. Chapter 21 [3:01]
22. Chapter 22 [5:04]
23. Chapter 23 [4:43]
24. Chapter 24 [6:51]
27. Chapter 25 [2:43]
25. Chapter 26 [1:54]
27. Chapter 27 [2:38]
28. Chapter 28 [7:34]
29. Chapter 29 [1:33]
30. Chapter 30 [3:07]
31. Chapter 31 [1:20]
32. Chapter 32 [:51]
Disc #3 -- James Bond: The Spy Who Loved Me - Feature Film
1. Chapter 1 [:47]
2. Chapter 2 [5:09]
3. Chapter 3 [2:06]
4. Chapter 4 [4:30]
5. Chapter 5 [2:38]
6. Chapter 6 [2:45]
7. Chapter 7 [2:33]
8. Chapter 8 [2:41]
9. Chapter 9 [4:11]
10. Chapter 10 [5:29]
11. Chapter 11 [7:02]
12. Chapter 12 [6:11]
13. Chapter 13 [2:19]
14. Chapter 14 [2:34]
15. Chapter 15 [2:11]
16. Chapter 16 [4:18]
17. Chapter 17 [3:37]
18. Chapter 18 [4:48]
19. Chapter 19 [4:36]
20. Chapter 20 [6:22]
21. Chapter 21 [5:38]
22. Chapter 22 [2:47]
23. Chapter 23 [5:37]
24. Chapter 24 [3:44]
25. Chapter 25 [1:25]
26. Chapter 26 [4:21]
27. Chapter 27 [8:17]
28. Chapter 28 [5:15]
29. Chapter 29 [3:41]
30. Chapter 30 [1:51]
31. Chapter 31 [4:10]
32. Chapter 32 [1:45]
Disc #5 -- James Bond: A View to Kill - Feature Film
1. Chapter 1 [6:14]
2. Chapter 2 [3:24]
3. Chapter 3 [3:05]
4. Chapter 4 [2:38]
5. Chapter 5 [2:37]
6. Chapter 6 [4:03]
7. Chapter 7 [3:23]
8. Chapter 8 [3:41]
9. Chapter 9 [6:31]
10. Chapter 10 [3:30]
11. Chapter 11 [1:28]
12. Chapter 12 [1:08]
13. Chapter 13 [2:10]
14. Chapter 14 [3:16]
15. Chapter 15 [5:04]
16. Chapter 16 [1:52]
17. Chapter 17 [1:36]
18. Chapter 18 [2:46]
19. Chapter 19 [3:17]
20. Chapter 20 [4:48]
21. Chapter 21 [6:07]
22. Chapter 22 [4:18]
23. Chapter 23 [3:54]
24. Chapter 24 [3:01]
25. Chapter 25 [9:10]
26. Chapter 26 [5:55]
27. Chapter 27 [2:49]
28. Chapter 28 [4:49]
29. Chapter 29 [6:26]
30. Chapter 30 [6:04]
31. Chapter 31 [9:11]
32. Chapter 32 [2:38]
Disc #7 -- James Bond: Licence to Kill - Feature Film
1. Chapter 1 [8:36]
2. Chapter 2 [2:48]
3. Chapter 3 [4:18]
4. Chapter 4 [2:43]
5. Chapter 5 [9:03]
6. Chapter 6 [3:55]
7. Chapter 7 [1:23]
8. Chapter 8 [3:23]
9. Chapter 9 [4:28]
10. Chapter 10 [2:48]
11. Chapter 11 [2:22]
12. Chapter 12 [1:29]
13. Chapter 13 [2:56]
14. Chapter 14 [4:20]
15. Chapter 15 [2:39]
16. Chapter 16 [4:25]
17. Chapter 17 [9:23]
18. Chapter 18 [3:15]
19. Chapter 19 [5:37]
20. Chapter 20 [5:17]
21. Chapter 21 [4:58]
22. Chapter 22 [1:54]
23. Chapter 23 [5:58]
24. Chapter 24 [4:20]
25. Chapter 25 [6:50]
26. Chapter 26 [5:09]
27. Chapter 27 [1:52]
28. Chapter 28 [4:34]
29. Chapter 29 [4:10]
30. Chapter 30 [2:58]
31. Chapter 31 [2:05]
32. Chapter 32 [2:43]
Disc #9 -- James Bond: Die Another Day - Feature Film
1. Chapter 1
2. Chapter 2
3. Chapter 3
4. Chapter 4
5. Chapter 5
6. Chapter 6
7. Chapter 7
8. Chapter 8
9. Chapter 9
10. Chapter 10
11. Chapter 11
12. Chapter 12
13. Chapter 13
14. Chapter 14
15. Chapter 15
16. Chapter 16
17. Chapter 17
18. Chapter 18
19. Chapter 19
20. Chapter 20
21. Chapter 21
22. Chapter 22
23. Chapter 23
24. Chapter 24
25. Chapter 25
26. Chapter 26
27. Chapter 27
28. Chapter 28
29. Chapter 29
30. Chapter 30
31. Chapter 31
32. Chapter 32
Performance Credits | ||
| Sean Connery (Films)(Biography) | James Bond | |
| Roger Moore (Films)(Biography) | James Bond | |
| Timothy Dalton (Films)(Biography) | James Bond | |
| Pierce Brosnan (Films)(Biography)(Interview) | James Bond | |
Technical Credits | ||
| John Glen | Director | |
| Terence Young | Director | |
| Lewis Gilbert | Director | |
| Lee Tamahori | Director | |
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