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Closed Caption; Commentary by director Jim Sheridan; Nine deleted scenes; Making-of featurette; Alternate ending
Full Product DetailsSide #1 -- Full Screen
1. Three Wishes (Main Titles) [1:39]
2. Welcome to America [2:05]
3. New York [2:02]
4. The Apartment [2:09]
5. Settling In [1:23]
6. Heat & Humidity [1:50]
7. A Dollar Ninety-Nine [4:14]
8. Game of Chance [:57]
9. The Blood of an Irishwoman [4:34]
10. School Girls [1:42]
11. Halloween [4:06]
12. Mateo [3:01]
13. The Family Friend [5:54]
14. For the Baby's Sake [1:53]
15. A Ghost [:44]
16. Desperado [3:37]
17. Mateo's Disease [2:36]
18. The Other Side [3:23]
19. Going Home [3:37]
20. Money Problems [2:12]
21. Where's Dad? [3:51]
22. Bad Blood [:45]
23. Christy's Choice [2:54]
24. I Can't Cry [3:16]
25. Signs of Life [1:18]
26. Mateo's Gift [1:47]
27. My Third Wish [2:45]
28. End Titles [2:46]
Side #2 -- Widescreen
1. Three Wishes (Main Titles) [1:39]
2. Welcome to America [2:05]
3. New York [2:02]
4. The Apartment [2:09]
5. Settling In [1:23]
6. Heat & Humidity [1:50]
7. A Dollar Ninety-Nine [4:14]
8. Game of Chance [:57]
9. The Blood of an Irishwoman [4:34]
10. School Girls [1:42]
11. Halloween [4:06]
12. Mateo [3:01]
13. The Family Friend [5:54]
14. For the Baby's Sake [1:53]
15. A Ghost [:44]
16. Desperado [3:37]
17. Mateo's Disease [2:36]
18. The Other Side [3:23]
19. Going Home [3:37]
20. Money Problems [2:12]
21. Where's Dad? [3:51]
22. Bad Blood [:45]
23. Christy's Choice [2:54]
24. I Can't Cry [3:16]
25. Signs of Life [1:18]
26. Mateo's Gift [1:47]
27. My Third Wish [2:45]
28. End Titles [2:46]
Irish filmmaker Jim Sheridan, who chooses his projects carefully and develops them painstakingly, has outdone himself with this intensely personal, semi-autobiographical account of illegal Irish immigrants struggling to make their way in Reagan-era New York. Johnny (Paddy Considine), determined to make it as an actor, immigrates along with his wife, Sarah (Samantha Morton), and daughters, Christy and Ariel (real-life siblings Sarah and Emma Bolger). The family is also emotionally on the run from memories of a son who died before the journey. Settling into a large but shabby tenement in the city’s run-down Hell’s Kitchen area, the individual family members absorb Gotham and are in turn absorbed by it. The evolving relationship between the mild-mannered family and the tenant below them -- a shrieking, shirtless, apparently mad artist named Mateo (Djimon Hounsou) -- underscores the central metaphor of assimilation. At times In America seems leisurely paced and lacking in narrative drive, but it compensates with cleverly observed vignettes that illuminate the challenges faced by any poor family trying to make a better life in a strange land. Time and again, Sheridan's situations ring true. Johnny tries to provide comfort to his family during a sweltering summer by buying an air conditioner that winds up knocking out the building’s power. His attempt to win a prize for one daughter at a street-fair concession becomes an exercise in desperation and just makes him look foolish. While Morton and Hounsou are both wonderful here -- and were recognized as such with Oscar nominations -- Considine’s work is no less splendid. His Johnny is a decent and quietly desperate man, adrift in an ambivalent cloud of grief. Despite that, In America is not a depressing film; it's actually a warmhearted reminder that strength of character is often nourished by adversity. Ed Hulse, Barnes & Noble
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