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The cheap-but-colorful British period horror piece Curse of the Mummy's Tomb follows an ill-fated archaeological expedition to the crypt of the pharaoh, Ra-Antef. The expedition team's leader opts to sell Ra-Antef's sarcophagus to a smooth-talking American promoter who intends to set it up as part of an exploitive side-show attraction. No sooner has the tomb reached the States than the foul-tempered pharaoh is released; he then begins stalking and strangling all those who have desecrated his resting place. The bandaged one's vendetta doesn't stop there; he also has a score to settle with the reincarnation of a man who betrayed him eons ago. This rather dull mummy muddle was originally double-billed with Hammer Studio's superior chiller The Gorgon. Cavett Binion
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The British writer/director team of Jimmy Sangster and Seth Holt was never satisfied unless it scared the bejeepers out of its audience. Scream of Fear stars Susan Strasberg as the crippled daughter of Ann Todd, whom she meets for the first time during a vacation on the Riviera. There's something unsettling about Strasberg's surroundings and her mother's behavior. But when Strasberg insists that she's seen the dead body of her father, it is she who is considered off the beam, while everyone else is treated as normal. Perhaps the authorities are right; perhaps Strasberg is merely neurotic and overwrought. And perhaps there's more than one plot twist ahead of us as we draw nearer and nearer the truth. Scream of Fear was originally released in Great Britain as Taste of Fear. Hal Erickson
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The Two Faces of Dr. Jekyll is a film version of Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde in which Hyde is the handsome, clean-shaven one. Although top-billed Christopher Lee, portraying a caddish playboy, was the beneficiary of all the ad publicity, it is Paul Massie who plays Dr. Jekyll and Mr. Hyde. The "horror" in the film is mostly sociological, with Jekyll learning first hand of the corruption lurking beneath the respectable facade of the Victorian Era. His metamorphosis into Hyde is meant as an allegory to the evils of drug addiction, another "don't ask--don't tell" element of 19th century London. In still another departure from the Stevenson original, Jekyll becomes Hyde not because he can't control his alter ego, but because he wants to exact revenge on Christopher Lee, who has been siphoning off Jekyll's savings to finance his own gambling and womanizing. In contrast to Stevenson's story, Jekyll/Hyde does not die--though the strain of being Hyde has permanently scarred Jekyll's psyche. Two Faces of Dr. Jekyll was originally released in Britain as House of Fright. Hal Erickson
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A small German town falls prey to an unseen monster that turns its victims into lifeless statues in this mid-'60s outing from Hammer Studios. When the girlfriend of bohemian artist Bruno Heitz (Jeremy Longhurst) becomes the latest townsperson to turn up dead, her corpse transformed to stone, Bruno hangs himself, leaving the town to assume his guilt. But when his father, Prof. Heitz (Michael Goodliffe), comes to investigate, he too encounters the Gorgon and turns to stone. Just before dying, the professor dashes off instructions to his other son, Paul (Richard Pasco), about how to exonerate Bruno. Suspicion falls on Dr. Namaroff (Peter Cushing), proprietor of the local madhouse, although one of his patients (Joyce Hemson) seems just as likely a culprit. Then along comes Prof. Carl Maister (Christopher Lee), a folklore expert from the University of Leipzig, who claims that the murderer is actually a human possessed by the spirit of Magaera, one of Medusa's snake-haired sisters from Greek mythology. Together, Paul and Dr. Namaroff attempt to root out the incognito Gorgon while Paul courts lovely amnesiac Carla Hoffman (Barbara Shelley). Directed by Hammer veteran Terence Fisher, The Gorgon is one of several films to feature British horror mainstays Lee and Cushing side by side. In the States, the film appeared with The Curse of the Mummy's Tomb on a double bill promoted by the distribution of a unique giveaway item: black stamps. Brian J. Dillard