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Closed Caption; Vintage making-of featurette "The Man Who Makes the Difference"; Soundtrack remastered in Dolby Digital 5.1; Trailer gallery
Full Product DetailsSide #1 --
1. Overture [1:49]
2. Credits [3:11]
3. Arctic Landing [2:27]
4. Ferraday's Orders [4:27]
5. His Passengers [3:57]
6. Trustworthy Fellow [3:12]
7. Dive [4:46]
8. Not Too Buddy-Buddy [3:47]
9. All You Need to Know [3:09]
10. Pickup at Sea [3:57]
11. Talkative Boris [3:37]
12. Marine Methods [2:36]
13. All This Power [4:38]
14. Big Ice [8:01]
15. Frozen Barrier [4:35]
16. Second Attempt [3:26]
17. Torpedo Room Emergency [5:25]
18. Going Down [4:22]
19. Saboteur [2:34]
20. Zebra's Whereabouts [2:47]
21. Intermission [2:45]
22. Entr'Acte [1:40]
23. Narrow Escapes [2:01]
24. Station Remains [6:13]
25. The Only Ones Left [3:48]
26. After Something [3:10]
27. Dangerous Desirable Film [5:29]
28. Impeccable Scenario [4:58]
29. Incoming Aircraft [3:05]
30. The Drop on Jones [4:37]
31. One on One [4:31]
32. Marine Down [3:42]
33. Out of the Sky [3:14]
34. Ultimatum [3:48]
35. Take the Capsule [4:46]
36. Handing It Over [4:25]
37. Nobody's Prize [4:08]
38. Dasvedanya [1:57]
39. Cast List [2:36]
40. Exit Music [1:05]
This 1968 action-adventure film, a well-made Cold War thriller loaded with intrigue, pits U.S. and Russian forces against each other in the search for compromising satellite photography taken at a remote polar outpost. Rock Hudson plays the American submarine commander who takes a British secret agent (Patrick McGoohan) and an expatriate, anti-Communist Russian (Ernest Borgnine) aboard his ship as they head into Arctic waters. The film adaptation of Alistair MacLean's bestselling novel gets off to a slow start, but director John Sturges picks up the pace dramatically once all the exposition is out of the way. He achieves high suspense in an extended sequence depicting the sub's maneuvering in and around a massive ice field, and again in a climactic confrontation that reveals a cleverly disguised foe. Hudson comes across as properly stoic and completely competent, with McGoohan occasionally stealing scenes simply by virtue of his considerable charisma. Borgnine, who could have easily overplayed his role, exercises restraint and is all the more effective for doing so. Ex-football star Jim Brown registers strongly as an enigmatic Marine officer, too. The film is nicely done in every respect and, while dated, holds up a lot better than you might expect. It's especially good as a dramatic vehicle for Hudson, who spent far too much time during the '60s in fluffy romantic comedies. Ed Hulse, Barnes & Noble
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