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| DVD - Wide Screen | $14.99 |
| UMD for Sony PSP | $14.99 |
Audio commentary with director Guillermo Del Toro; "Hellboy: The Seeds of Creation" documentary; Deleted scenes with optional director's commentary; VFX How-to's; Make-up and lighting tests; Scott McCloud's guide to understanding comics
Full Product DetailsDisc #1 -- Hellboy
1. Chapter 1
2. Chapter 2
3. Chapter 3
4. Chapter 4
5. Chapter 5
6. Chapter 6
7. Chapter 7
8. Chapter 8
9. Chapter 9
10. Chapter 10
11. Chapter 11
12. Chapter 12
13. Chapter 13
14. Chapter 14
15. Chapter 15
16. Chapter 16
The stylish direction of Guillermo del Toro makes this colorful adaptation of Mike Mignola's graphic novel a lot more entertaining than it might have been in less capable hands. The principal character, after all, isn't just some costumed do-gooder; he's a supernatural being whose origin is considerably less benign than that of the average comic-book crime fighter. Hellboy (portrayed by Ron Perlman), a genuine spawn of the netherworld, is found in the waning days of World War II by Professor Trevor Bruttenholm (John Hurt), who also looks after other mutants kept safe from prying eyes in a secret compound. When the reincarnated Grigori Rasputin -- yes, that Rasputin -- unleashes long-suppressed demonic forces against America, the FBI enlists Hellboy's aid in combating the inhuman creatures doing the evil mesmerist's bidding. Perlman, having played bestial characters before, brings much-needed warmth and humor to Hellboy. He's well supported by Hurt and Selma Blair, properly enigmatic and more than a little wistful as Liz Sherman, whose pyro-kinetic abilities make her dangerous to be around. Doug Jones, totally unrecognizable in makeup and prosthetics, turns in a fine performance as Abe Sapien (voiced by David Hyde Pierce), the half-man/half-fish who aids Hellboy when the FBI comes calling. Very much like the comic books it brings to life, Hellboy pulsates with energy and teems with dynamic visual effects. While the film has wry, humorous moments, it never condescends to its audience. That's more than can be said for many comic-book movies; and for that, del Toro deserves considerable credit. Ed Hulse, Barnes & Noble
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