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| DVD - Special Edition / Wide Screen / Subtitled / Dubbed | $26.99 |
| DVD - Wide Screen | $12.99 |
New Content Changes Supervised by Director Michael Mann; ; Commentary by Writer/Producer/Director Michael Mann; 11 Additional Scenes; 5 Revealing Documentaries; ; True Crime: Recalling the Real-Life Chicago Cop and Criminal Whose Exploits Inspired the Movie; ; Crime Stories: The Screenplay's 20-Year History and How the Movie Finally Got Greenlit; ; Into the Fire: Filming in L.A., Cast Training, Shooting the Climactic Downtown Heist and Post-Production; ; Pacino and De Niro: The Conversation: Anatomy of This Historic On-Screen Showdown; ; Return to the Scene of the Crime: Revisiting the Film's Real-Life L.A. Locations Years Later
Full Product DetailsBolstered by the stellar performances of two screen giants, Al Pacino and Robert De Niro, Heat rather ambitiously delineates the relativity of good and evil in contemporary society, turning what might have been a routine crime thriller into a thought-provoking, if melancholy, reflection on modern life. Writer-director Michael Mann (Collateral) presents a sprawling narrative that pits obsessed, intuitive police detective Vincent Hanna (Pacino) against highly disciplined thief Neil McCauley (De Niro), whose latest robbery target is a seemingly burglarproof bank in Los Angeles. McCauley has always managed to slip away from crime scenes and elude Hanna, but this time things could be different: The heist’s complexity requires the employment of thugs the master thief doesn’t quite trust -- with good reason, as it turns out. The story plays out along parallel tracks; De Niro and the crooks here, Pacino and the cops there. The two leads don’t confront each other until well into the movie’s explosive third act -- unbelievably, their first time on screen together -- which builds to a suspenseful climax at LAX. Mann surrounds his stars with top-flight supporting actors, including Val Kilmer, Jon Voight, Tom Sizemore, and Diane Venora. What elevates Heat above most movies of its type is the moral ambiguity of the characters: The good guys aren’t all good, and the bad guys aren’t all bad. The production has the same stylishly gritty look that Mann has been using since his old TV show, Miami Vice, and the caper -- including a bravura set-piece on the streets of downtown L.A. -- is presented in a cold, clinical manner that suggests documentary more than narrative film. At nearly three hours, Heat is long; yet the intricate plot, the rich characterizations, and Mann’s masterful direction combine to make a film worthy of its epic length. Ed Hulse, Barnes & Noble
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