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Digitally mastered audio and video; Full-screen presentation; Audio: English [mono], French, Spanish, Portuguese; Subtitles: English, French, Spanish, Portuguese, Chinese, Korean, Thai; Exclusive featurette: "Rita Hayworth: The Columbia Lady"; Vintage advertising; Theatrical trailers; Talent files; Interactive menus; Prouduction notes; Scene selections
Full Product DetailsSide #1
0. Scene Selections
1. Start [1:32]
2. Saving Johnny's Life [4:03]
3. The Casino [8:16]
4. Promoted [2:25]
5. Mrs. Mundson [9:26]
6. Drinks & Dancing [7:56]
7. An Exciting Emotion [3:18]
8. Lonely & Frustrated [3:24]
9. The Bar-Nothing [1:09]
10. Defenseless One [5:47]
11. Thought Associations [2:56]
12. "Put the Blame on Mame" [:22]
13. The Laundry [2:04]
14. Nervous [3:54]
15. Pre-party Guests [2:40]
16. Carnival Party [7:31]
17. Home Alone [8:07]
18. Suicide? [3:15]
19. Carrying On [1:48]
20. Faithful in Death [1:56]
21. The Arrangement [2:33]
22. Swallowing Her Pride [1:18]
23. "Amado Mio" [4:19]
24. Trusting Tom [5:04]
25. "Put the Blame on Mame" [3:06]
26. Under Arrest [3:26]
27. Both Such Stinkers [3:59]
28. Ballin Returns [1:18]
Legendary Hollywood sex symbol Rita Hayworth is at her most alluring in Gilda, a delightfully kitschy melodrama that remains this former dancing girl's best-remembered star vehicle. Ravishing in slinky evening gowns, Rita plays the lusty wife of South American casino owner George Macready, whose shady side operations include tungsten smuggling. Right-hand man Glenn Ford, something of a gambler himself, takes a big chance when he succumbs to Rita's considerable charms under the watchful eye of her suspicious husband. The film's oft-shown highlight is Hayworth's celebrated striptease (more tease than strip) performed to the strains of "Put the Blame on Mame," an enjoyably trashy little ditty. Charles Vidor, who also directed Hayworth in the Technicolor tunefests Cover Girl and Loves of Carmen, never lets the occasionally overwrought story of international intrigue overshadow his sultry star, never sexier than she is here. Ed Hulse, Barnes & Noble
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