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Widescreen format [aspect ratio 1.85:1]; Interactive menus; Scene selection; Original theatrical trailers; TV spots; Audio: English 4.1 surround; English Dolby surround, French stereo; Subtitles: English; Spanish
Full Product DetailsSide #1--
0. Scene Selections
1. Main Titles [2:53]
2. Miss Leonard [3:47]
3. In The Beginnings [6:41]
4. Eddie Sparks [10:37]
5. Chemistry [10:05]
6. Eddie Objects [7:29]
7. Eddie Apologizes [3:32]
8. Dixie's Husband [10:23]
9. Creative Differences [:39]
10. Korea [10:49]
11. Japan [13:51]
12. The Break-up [:02]
13. Viet Nam [11:07]
14. Incoming? [6:56]
15. 20 Minutes To Showtime [10:15]
16. Where Is She? [4:27]
17. The Old Routine [5:01]
18. End Titles [10:53]
This tuneful, decade-hopping extravaganza, glowing with patriotic sentiment, is remarkably similar to Hollywood musicals made during the wartime years in which it's mostly set. Bette Midler, playing a brassy USO singer entertaining the troops, seems eerily like a reincarnation of Ethel Merman. James Caan, not quite as felicitously cast, is convincing enough as her partner, a sexist, self-absorbed comic whose onstage banter barely masks his annoyance at having to share the spotlight. Indisputably successful as a team, Midler and Caan keep the act going for years, providing songs, dances, and laughs to American soldiers for the duration of three wars -- even when their offstage relationship suffers. Director Mark Rydell (On Golden Pond) obviously realizes how much For the Boys resembles the old 20th Century Fox musicals that teamed Alice Faye with John Payne or Betty Grable with Dan Dailey, and he isn't afraid to make it just as schmaltzy. Midler and Caan's offstage travails might strike older audiences as strangely familiar, but Midler's warbling of well-remembered standards will find favor among all viewers. Like its 1940s progenitors, For the Boys is slick, formulaic, and robustly entertaining. Ed Hulse, Barnes & Noble
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