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widescreen transfer of Fiddler on the Roof; audio commentary by star Topol and director Norman Jewison; "Any Day Now," a previously unavailable song, deleted for the original release, sung by Paul Michael Glaser; a documentary on Norman Jewison; Tevye's dream sequence, available for the first time in color; video introduction by Jewison; readings by Jewison of Sholom Aleichem stories; photo gallery; storyboards; original theatrical trailers; collectible booklet
Full Product DetailsSide #1 -- Fiddler on the Roof
0. Scene Selections
1. Logo/TRADITION [:18]
2. Main Title/Credits [8:41]
3. News For Tzeitel [:34]
4. Matchmaker [3:32]
5. If I Were A Rich Man [:01]
6. Perchik [4:47]
7. Tzeitel's Hand [3:21]
8. Sabbath Prayer [2:54]
9. At Lazar Wolf's [5:33]
10. To Life [5:51]
11. A Warning [1:24]
12. Lessons/A Bride [1:53]
13. The Pledge/Tradition [3:35]
14. Miracle Of Miracles [2:35]
15. Fyedka & Chava [3:51]
16. Tevye'S Dream [4:28]
17. The Wedding [2:24]
18. Sunrise, Sunset [2:05]
19. Mazeltov! [3:03]
20. Lazar Wolf's Toast [4:57]
21. Dances With...Women! [4:53]
22. The Pillagers [4:16]
23. Entr'Acte [2:09]
24. "Troubles, Troubles" [3:51]
25. Perchik Proposes [2:24]
26. Do You Love Me? [5:03]
27. News From Perchik [1:36]
28. Far From The Home I Love [1:53]
29. The "New Arrival" [3:52]
30. Chava Elopes [5:30]
31. Chava Ballet Sequence [2:44]
32. "Leave Anatevka" [3:13]
33. Anatevka [3:53]
34. Saying Goodbyes [1:48]
35. Chava Returns [2:32]
36. FINALE/End Credits [3:39]
Side #2-- Special Features
0. Norman Jewison Filmmaker: SCENE SELECTIONS
1. Introduction [3:43]
2. On Location [1:15]
3. Filming "Anatevka" [4:32]
4. Zagreb [5:30]
5. Filming InThe Square [1:02]
6. Past Reflections [1:46]
7. The Horse [3:39]
8. Waiting For Snow [5:35]
9. A Tony Curtis Visit [2:39]
10. Topol Interview [6:36]
11. Filming The Bottle Dance [1:18]
12. End Credits [3:12]
Flamboyant yet sentimental, this 1971 film version of the long-running, award-winning Broadway play benefits from colorful location shooting, grand cinematic expansion of the show's constricted settings, and the charismatic performance of Israeli actor Topol in the leading role. He's nearly perfect as Tevye, a Jewish milkman who lives with his long-suffering wife and five daughters in the Ukrainian village of Anatevka, from which representatives of the corrupt czarist regime seek to drive Jewish traditionalists. The hapless, impoverished Tevye clings to his traditions even as he dreams of better things for himself and his family. This simple plot provided an unusual framework for a Broadway musical, and on film the story becomes even more compelling. Topol plays his complicated character with the necessary juxtaposition of traits: Tevye is bombastic yet contemplative, high-spirited yet riddled with self-doubt. His dialogues with God -- and, by extension, the audience -- are soulful, and Topol's rendition of the showstopping tune "If I Were a Rich Man" is a bit more sober and less exuberant than that of Zero Mostel, who originated the role on Broadway. Norma Crane plays wife Golde with dignity and restraint, while supporting actress Molly Picon is delightfully insouciant as Yente the matchmaker and Leonard Frey equally appealing as Motel the tailor. The beloved Jerry Bock-Sheldon Harnick score, which includes such favorites as "Tradition," "Matchmaker, Matchmaker," and "Sunrise, Sunset," makes the transition from stage to screen with no difficulty whatsoever, thanks to the assured staging of director Norman Jewison. Isaac Stern's violin work distinguishes the background music, for which composer John Williams won an Oscar (one of three the film received). With its deeply affecting affirmations of decency, loyalty, and bravery, Fiddler on the Roof is a classic folk story enhanced with beautiful music; in this film version it's a remarkable entertainment that, once encountered, will remain with you long after the final fadeout. Ed Hulse, Barnes & Noble
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