DVD - Wide Screen / Letterbox Learn more
Enter a zip code
Audio commentary by directorRoger Corman; Original theatrical trailer; Screen format: 16x9 widescreen (2.35:1); English & French: mono; French & Spanish language subtitles; Rare prologue; Screen format: letterbox (2.35:1)
Full Product DetailsSide #1 -- The Fall of the House of Usher
1. Title/Credits/Intro [6:08]
2. Hyper-Sensitive [7:55]
3. Shaky Foundation [2:32]
4. Final Warning [3:30]
5. Come With Me [2:57]
6. Strange Old House [5:44]
7. Full of Life [4:49]
8. Deep Dark Secret [4:34]
9. Plague of Evil [6:12]
10. Time to Go [4:27]
11. No Peace [4:23]
12. Buried Alive [4:16]
13. Secret Place [6:21]
14. Why [3:47]
15. Maze of Madness [9:28]
16. End Credits [2:03]
Side #2 -- The Pit and the Pendulum
1. Logo/Main Title [2:47]
2. "Something in Her Blood" [6:38]
3. Nicholas' Loss [4:23]
4. The Cause of Death [3:29]
5. The Torture Chamber [6:57]
6. Memories of Father [5:40]
7. Elizabeth's Spirit [4:06]
8. Buried Alive [3:51]
9. Noises From Within [7:46]
10. Exhuming Elizabeth [4:25]
11. Apology Due [3:23]
12. Back From the Grave [8:20]
13. Conspiracy of Adventurers [6:39]
14. Sebastian's Pit... [3:07]
15. ...And the Pendulum [6:20]
16. End Credits [2:24]
When Roger Corman suggested that low-budget legend Samuel Z. Arkoff and American International Pictures combine the budgets for two black-and-white movies and make one, more expensive color picture, he didn't expect it to become a phenomenon. But that's just what Fall of the House of Usher became; in fact, it was one of the top five grossing movies of 1960, bringing horror films -- and Corman -- a step out of the drive-ins where they had been relegated for so many years. Based on Edgar Allan Poe's classic short story, the film follows Philip Winthrop (Mark Damon) to the Usher house, where he plans to visit his betrothed, Madeline Usher (Myrna Fahey). But her insidious and hypersensitive brother, Roderick (Vincent Price, sporting a prematurely white dye-job), unexpectedly thwarts Philip's plans, attempting to frighten him away from the Ushers' downtrodden home. Hopelessly devoted to Madeline, Philip soon finds himself tangled deeply in the dark and deadly secrets of both the physical and familial Usher houses. Thanks to Usher's success, a swarm of Price-starring, Corman-directed Poe films followed -- Pit and the Pendulum, Tales of Terror, The Raven, The Haunted Palace, and The Masque of the Red Death -- each increasingly more lavish and less faithful to its source material. The atmospheric type of chamber horrors established by Usher were also soon adopted by the likes of Italian genre maven Mario Bava, who, in films like The Whip and the Body and Kill, Baby...Kill! institutes what became a distinctive part of the Italian horror style. Unlike the crumbling structure of the Usher House, the legacy of Corman's adaptation and its unprecedented success is everlasting. Patricia Kim O'Cone, Barnes & Noble
More reviews and recommendations