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Closed Caption; Making of Downfall featurette; Cast & crew interviews; Director commentary
Full Product DetailsSide #1 --
1. Main Titles / November 1942 [2:31]
2. Greeting The Führer [4:13]
3. Clausewitz [6:43]
4. The Russians Are Coming [8:31]
5. In The Bunker [4:52]
6. All So Unreal [3:19]
7. The End Of The Reich [6:18]
8. Everything Is Lost [7:58]
9. German Against German [7:29]
10. A Song For Uncle Hitler [4:20]
11. Final Words [5:28]
12. Göring's Concern [5:50]
13. Personal Loyalty [6:13]
14. This So-Called Humanity [6:54]
15. Leaving Berlin [3:47]
16. Wide Awake [5:13]
17. The Battle Cutside [5:13]
18. All Necessary Arrangements [5:39]
19. Poisonous [6:18]
20. Saying Farewell [:00]
21. The Führer Is Dead [5:05]
22. Sleep Tight Children [4:57]
23. Childless [5:30]
24. The Die Is Cast [5:31]
25. Walking Wounded [4:29]
26. Passing Through History [5:20]
27. It's Over [3:57]
28. Epilogue / End Credits [3:02]
The singular achievement of this masterful film, a chilling fictional account of the Third Reich’s last days, is its portrayal of Adolf Hitler: He’s depicted as not only monstrous and unhinged but also kindly (in fleeting moments, anyway) and more than a little pathetic. Director Olivier Hirschbiegel, by making his subject a recognizable human being instead of a one-dimensional villain, shows us an increasingly desperate Hitler who at times seems -- dare we say? -- almost sympathetic. Based on the reminiscences of Traudl Junge, one of der Führer’s secretaries, Downfall takes place almost entirely in the underground bunker where Hitler and his inner circle spent their final weeks. Although Allied victory is all but assured, the rapidly degenerating Nazi dictator (brilliantly portrayed by Bruno Ganz) continues to plot the war’s course, issuing orders to dead commanders and deploying troop battalions that no longer exist. His mistress, Eva Braun (Juliane Kohler), and closest confidants, Joseph and Magda Goebbels (Ulrich Matthes and Corinna Harfouch), maintain their loyalty to the once-powerful Hitler even though they recognize what he doesn’t: that their capture is imminent. In a deeply unnerving scene, for instance, Magda Goebbels feeds cyanide to her unsuspecting children rather than let them be taken by Allied soldiers. Downfall does not for a moment justify anything Hitler did, but, in relying on the historical record presented by Junge, it does paint a more detailed picture of the man than has ever been seen: He even displays symptoms of kindness and takes comfort in his pet dog, Blondi. The movie dares to hint that perhaps Hitler was not simply a megalomaniacal lunatic but also a misguided idealist who allowed his grandiose dreams to subvert his humanity. Like it or loathe it, you’ll remember Downfall for a very long time. Ed Hulse, Barnes & Noble
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