DVD - 2 Disc Set - Black & White Learn more
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| DVD - Subtitled / B&W | $10.49 |
Disc 1: Don't Look Back - ; Five additional uncut audio tracks; Commentary by D.A. Pennebaker and Tour Road Manager Bob Neuwirth; Alternate version of the Subterranean Homesick Blues cue card sequence; Original theatrical trailer; D.A. Pennebaker filmography; Bob Dylan discography; Cast and crew biographies ; ; Disc 2: Bob Dylan 65 Revisted - ; New commentary by D.A. Pennebaker and Tour Road Manager Bob Neuwirth
Full Product DetailsDisc #1 -- Don't Look Back
1. Subterranean Homesick Blues [2:13]
2. London Arrival [6:20]
3. Who's This Donovan? [3:09]
4. The Times They Are A-Changin' [11:52]
5. I Just Go There and Sing 'Em [4:54]
6. Turn, Turn, Turn [9:27]
7. Denmark Street [5:59]
8. Newcastle [2:10]
9. The Science Student [7:55]
10. The High Sheriff's Lady [1:32]
11. I Don't Feel Like Singing [6:32]
12. Who Threw the Glass [3:38]
13. Donovan [4:16]
14. Royal Albert Hall [3:22]
15. The Interview [6:12]
16. The Last Concert [12:19]
Disc #2 -- Bob Dylan 65 Revisited
1. Arrive London, April 28/Prelude [2:44]
2. Don't Think Twice, It's Alright [4:56]
3. Purple Heather [2:45]
4. Sheffield, April 30/Love Minus Zero/No Limit (Sound Check) [1:39]
5. To Ramona [3:55]
6. Liverpool, May 1 [1:09]
7. You're the One [1:49]
8. It's All Over Now, Baby Blue [6:42]
9. Leicester, May 2/It Takes a Lot to Laugh, It Takes a Train to Cry [1:57]
10. The Lonesome Death of Hattie Carroll [1:57]
11. Savoy Hotel, London, May 4 [1:27]
12. Remember Me (When the Candle Lights Are Gleaming) [1:27]
13. Birmingham, May 5/It's Alright Ma (I'm Only Bleeding) [7:30]
14. Newcastle, May 8 [3:18]
15. It Ain't Me Babe [3:16]
16. Manchester, May 7 [:56]
17. If You Gotta Go, Go Now [2:22]
18. Savoy Hotel, London, May 8 [4:51]
19. Royal Albert Hall, London, May 9 [2:06]
20. She Belongs to Me [4:54]
21. I'll Keep It With Mine [1:21]
22. Alternate Take - Subterranean Homesick Blues [2:18]
A portrait of the artist as a young brat, D. A. Pennebaker's Don't Look Back follows Bob Dylan on his 1965 tour of Britain. On the cusp of his incarnation as a rock-'n-roll icon, Dylan exhibits an eerie confidence and self-possession on stage. Offstage, the center of a media onslaught -- almost quaint to today's eyes -- Dylan is a whirlwind of words, sometimes charming and insightful, sometimes badgering and sophomoric. He delights in irritating journalists small and large (he informs a Time reporter that a bum vomiting in the street is what's "real") and playing bad boy with his hangers-on and pals -- Alan Price, Bob Neuwirth, Joan Baez, and, in a wonderfully vicious sequence, Donovan. Pennebaker's verité camera shows clearly what sets Dylan apart from the hurly-burly that surrounds him: his ability to withdraw and focus. Watch him typing lyrics in a hotel room while Baez sings, or in a telling moment just before going onstage: Neuwirth clowns, people wander in and out, but Dylan is already apart and alone -- the artist ready to step into the spotlight of the world stage. Rachel Saltz, Barnes & Noble
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