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The police drama was spun on its head in 1971 by the violent, glib, and anarchic Dirty Harry, a Nixon-era hit that continues to influence films as varied as Lethal Weapon and Seven. Clint Eastwood, in one of his most iconic roles, stars as Harry Callahan, a rebellious member of the San Francisco Police Department assigned to pursue the gruesome Zodiac Killer. In his investigation of the long-haired serial killer, this hard-boiled hero stands by his individualistic code of honor, even when it comes violently in conflict with the modern legal system. Director Don Siegel transfers this detective out of 1940s noir to a realistic modern city, illuminating the urban nightmare in all its decayed perversity. There is a simplicity to Siegel's clean, direct style that belies the deep emotional core of the film; and the action scenes, while as exciting as they come, are staged on a human scale. Dirty Harry makes the perfect introduction to the work of one of America's best action directors, working with the screen giant who helped forge his legend. Ben Wolf, Barnes & Noble
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February 11, 2003: If any one film Clint Eastwood will be remembered for it will be this classic. I went to see the film when it first came out in the early 1970s and thought that it would be so-so because the main actor was well known for his role in mostly westerns. The film captivated me so much that I went to see it again the following night. It showed me how versitile an actor Eastwood really is as he fit the part of Callahan perfectly. In fact all the characters fit their roles very well. One must give credit to Eastwoods other partner the Smith and Wesson Model 29 .44 Mangum Revolver. After the movie was released demand was so high that Smith and Wesson could not keep up with demand. I know as I placed my order and finally got mine a year later. This must have been the best free advertising Smith has ever got. I have both VHS and DVD versions of the film and still run them from time to time. I can honestly say that this is my very favorite film of all time!
This review was written about the DVD Wide Screen / Pan & Scan edition.
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December 02, 2000: CLINT EASTWOOD, buddy! That says it all! Forget the whining tirades about right wing extreme that haunted this film for decades, this is an Eastwood showcase of urban suspense. Don Siegel knew how to work the concrete landscape like few directors could and Clint's perpetual squint presents San Francisco is an aura not seen before this 1971 classic. Smith and Wesson owes Eastwood some major equity for his celebration of the Model 29 .44 Magnum. With old pros Harry Guardino, John Vernon and John Larch in strong supporting roles.
This review was written about the DVD Wide Screen / Pan & Scan edition.
The police drama was spun on its head in 1971 by the violent, glib, and anarchic Dirty Harry, a Nixon-era hit that continues to influence films as varied as Lethal Weapon and Seven. Clint Eastwood, in one of his most iconic roles, stars as Harry Callahan, a rebellious member of the San Francisco Police Department assigned to pursue the gruesome Zodiac Killer. In his investigation of the long-haired serial killer, this hard-boiled hero stands by his individualistic code of honor, even when it comes violently in conflict with the modern legal system. Director Don Siegel transfers this detective out of 1940s noir to a realistic modern city, illuminating the urban nightmare in all its decayed perversity. There is a simplicity to Siegel's clean, direct style that belies the deep emotional core of the film; and the action scenes, while as exciting as they come, are staged on a human scale. Dirty Harry makes the perfect introduction to the work of one of America's best action directors, working with the screen giant who helped forge his legend. Ben Wolf
"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). Lucia Bozzola
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