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Closed Caption; Documentary profile Harlow: The Blonde Bombshell, hosted by Sharon Stone; Comedy short Come to Dinner; Theatrical trailer; Subtitles: English, Français & Español
Full Product DetailsSide #1 --
1. Credits [2:00]
2. The Jordans [4:54]
3. Carlotta's Woes [4:26]
4. Bygone Days [4:28]
5. Down to Business [4:30]
6. Kitty Packard [4:51]
7. Go Lay an Egg [3:59]
8. Doctor Darling [2:19]
9. Extra Man [2:43]
10. Larry Renault [5:13]
11. The Loves of Larry [4:00]
12. Pushover Part [7:06]
13. Short of Cash [3:13]
14. Dr. and Mrs. Talbot [:06]
15. Jordan's Condition [5:46]
16. Servant Trouble [3:23]
17. Fateful Transactions [1:42]
18. Half Out of Her Mind [5:29]
19. Gasbag vs. Alley Cat [2:31]
20. Bitter Truth [7:53]
21. Down and Out [6:50]
22. Final Curtain [2:56]
23. Guests Arrive [3:30]
24. Terribly Final News [5:12]
25. We'll Economize [3:47]
26. Not Every Profession [5:04]
1. Introduction and Credits [3:22]
2. Pushed Into Movies [3:12]
3. Hell's Angels [5:23]
4. The Beast of the City [2:05]
5. Red-Headed Woman [4:33]
6. Paul Bern Scandal [4:50]
7. Reckless [3:05]
8. Red Dust [2:06]
9. Dinner at Eight, Bombshell [4:19]
10. Changing Image [4:45]
11. Libeled Lady [2:08]
12. Saratoga... and Tragedy [4:10]
13. Forever Young [2:00]
14. End Credits [:56]
During Hollywood’s so-called Golden Age, MGM’s oft-used slogan to describe its impressive roster of actors was “More Stars than There Are in the Heavens.” And that wasn’t just hyperbole; the Culver City studio really did have most of the top box-office attractions of the era. A passel of them got together under the direction of George Cukor for this glittering 1933 adaptation of an award-winning play by George S. Kaufman and Edna Ferber. It exposes the faults and foibles of a variegated group that is supposed to assemble at a New York mansion for a dinner party. John Barrymore, the former matinee idol at the beginning of his long, sad decline, is eerily well cast as a fading movie star whose future holds little promise. His brother Lionel plays a beleaguered businessman on the verge of ruin, while Billie Burke (“the Good Witch” in Wizard of Oz,) registers solidly as a fluttering society matron. Among the other Depression-era luminaries with juicy supporting roles are such extremely talented but (sadly) forgotten actors as Lee Tracy, Edmund Lowe, Jean Hersholt, and Karen Morley. But for our money the top honors go to Wallace Beery, playing the millionaire vulgarian hosting the soiree, and luscious Jean Harlow, giving her best comedic performance as the sassy gold-digger who’s hooked him. Harlow -- who never looked better -- is the butt of the movie’s final joke, a devastating one-liner delivered flawlessly by Marie Dressler, another forgotten comedic talent. Cukor’s seemingly effortless fusion of comedy and drama makes Dinner at Eight an unforgettable example of Golden Age filmmaking at its finest. Ed Hulse, Barnes & Noble
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