DVD - 2 Disc Set - 2-Disc Special Edition / Wide Screen Learn more
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| DVD - Wide Screen | $14.99 |
| DVD - Full Frame | $14.99 |
The "ATL"; The real mad black women; Music montages; Reflections of Diary; Audio commentary by Tyler Perry; Audio commentary by director Darren Grant and actress Kimberly Elise; Making of Diary of a Mad Black Woman; Who's Tyler Perry; Deleted scenes; Outtakes; Tyler Perry Spotlight; Photo gallery; 16x9 widescreen; Newly remasterd English 6.1 DTS-ES™ audio; Newly remastered English 5.1 dolby® digital surround EX™ audio; English and Spanish subtitles; English closed captions
Full Product DetailsGoing against the grain comes easy to actor-playwright Tyler Perry, an African-American populist who eschews hard-edged, predominantly urban-based paeans to today’s hip-hop culture and instead skews his dramas to middle-class, church-going audiences. This film adaptation of his Diary of a Mad Black Woman will especially appeal to that demographic, but it makes rollicking good entertainment for all viewers. The titular terror is Helen (Kimberly Elise), whose rich attorney husband (Steve Harris, who also played a lawyer on The Practice) throws her out of their mansion after 18 years of marriage and sets up housekeeping with a much younger woman. Returning to the bosom of her long-neglected family, Helen attempts to work through her anger and again take up the search for true love. First-time director Darren Grant doesn’t seem entirely comfortable with the material; Diary vacillates between heavy-handed melodrama and raucous comedy, the latter quality exemplified by Perry himself, who hilariously plays Helen’s grandma Madea, a fiery-tempered, gun-toting whirligig of a woman. Her tirades counterbalance the playwright’s tendency toward sanctimony and provide much-needed bite when the movie veers into Harlequin Romance territory with Helen’s courtship by a working-class Prince Charming (soap opera stud Shemar Moore). Diary isn’t a classic by any means -- but it’s a sincere and generally successful attempt to broaden the still-too-narrow parameters of entertainment slanted to African-American audiences. Ed Hulse, Barnes & Noble
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