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| DVD - 2-Disc Special Edition / Wide Screen | $14.99 |
| DVD - Wide Screen | $14.99 |
Closed Caption; Full screen version; 5.1 Dolby Digital; 2.0 Dolby Digital; Reflections on Diary ; Outtakes; Tyler Perry commentary; Making of Diary Featurette; Who's Tyler Perry featurette; You Can Do It...It's Electric; Tyler Perry collection trailer; English and Spanish subtitles; Trailers
Full Product DetailsSide #1 --
1. Attorney of the Year [8:35]
2. After Eighteen Years [7:38]
3. He Owes You [4:37]
4. "I Ain't Afraid a No Po-Po" [8:33]
5. Barbeque [7:28]
6. Life Goes On [9:16]
7. Finding Myself [6:41]
8. Chandra's [7:19]
9. If God Was One of Us [9:08]
10. Between Two Men [10:36]
11. Taking Care of Charles [4:03]
12. "She's Beatin' the Hell Outta Him" [3:49]
13. "I'm Sorry" [8:10]
14. "The Doors of the Church Are Open" [5:18]
15. Sunday Dinner [4:48]
16. "Ask Me Again" [2:22]
Going against the grain comes easy to actor-playwright Tyler Perry, an African-American populist who eschews hard-edged, predominantly urban-based paeans to today’s hip-hop culture and instead skews his dramas to middle-class, church-going audiences. This film adaptation of his Diary of a Mad Black Woman will especially appeal to that demographic, but it makes rollicking good entertainment for all viewers. The titular terror is Helen (Kimberly Elise), whose rich attorney husband (Steve Harris, who also played a lawyer on The Practice) throws her out of their mansion after 18 years of marriage and sets up housekeeping with a much younger woman. Returning to the bosom of her long-neglected family, Helen attempts to work through her anger and again take up the search for true love. First-time director Darren Grant doesn’t seem entirely comfortable with the material; Diary vacillates between heavy-handed melodrama and raucous comedy, the latter quality exemplified by Perry himself, who hilariously plays Helen’s grandma Madea, a fiery-tempered, gun-toting whirligig of a woman. Her tirades counterbalance the playwright’s tendency toward sanctimony and provide much-needed bite when the movie veers into Harlequin Romance territory with Helen’s courtship by a working-class Prince Charming (soap opera stud Shemar Moore). Diary isn’t a classic by any means -- but it’s a sincere and generally successful attempt to broaden the still-too-narrow parameters of entertainment slanted to African-American audiences. Ed Hulse, Barnes & Noble
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