Denzel Washington Collection: DVD Cover
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Denzel Washington Collection

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  • DVD Release Date: 06/06/2006
  • Rating: Rated R
  • Sales Rank: 16,812

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  • Overview
  • Editorial Reviews
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  • Full Product Details

Features

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Full Product Details

Scene Index

Disc #1 -- Denzel Washington Collection: Courage Under Fire
1. Main Titles [2:41]
2. War in the Gulf [4:43]
3. An Enemy Tank? [5:25]
4. Serling's Assignment [1:42]
5. Time to Go [6:10]
6. Rady's Story [3:20]
7. Meeting Gartner [4:36]
8. A Talk With Ilario [2:41]
9. Fire in the Night [5:22]
10. The Dark Sunrise [3:42]
11. Karen's Parents [2:47]
12. In Transit [1:54]
13. Discrepancies [3:02]
14. Drill Sergeant Monfriez [2:16]
15. A Question of Cowardice [4:18]
16. Far From Home [:31]
17. Off the Record [1:23]
18. An Incomplete Report [4:25]
19. Gartner's Favor [:05]
20. Altameyer's Pain [4:06]
21. "Karen Walden Sent Me" [1:51]
22. Monfriez' Escape [3:13]
23. The Truth About Al Kufan [3:08]
24. Tale of the Tape [2:21]
25. The Medal of Honor [1:14]
26. The Letter [3:25]
27. Home to Stay [1:47]
28. End Titles [3:35]
Disc #2 -- Denzel Washington Collection: Man on Fire
1. Main Titles [3:53]
2. On Impulse [2:16]
3. Unprotected [:34]
4. Settling In [4:26]
5. The Hand of God [1:00]
6. New Toy [5:59]
7. Failure to Fire [:03]
8. On Edge [3:54]
9. No Fear [2:11]
10. In Loco Parentis [2:09]
11. The Piano Lesson [3:48]
12. Outgunned [:03]
13. Police Assistance [4:56]
14. Negotiations [1:04]
15. The Drop [4:06]
16. On the Road to Recovery [1:52]
17. Lois Lane [3:21]
18. The Quest Begins [2:39]
19. Extracting Information [1:09]
20. At the Rave [3:27]
21. Bonfire [1:10]
22. Masterpiece [3:41]
23. Paging the President [2:46]
24. The Truth [3:25]
25. The Voice [2:34]
26. A Life for a Life [1:18]
27. Going Home [4:02]
28. End Titles [:40]
Disc #3 -- Denzel Washington Collection: The Siege
1. The Taking of a Terrorist (Main Title) [4:28]
2. Code Blue [3:06]
3. The CIA's Interest [2:27]
4. Follow the Money [3:18]
5. Sharing With the CIA [1:49]
6. The Real Deal [3:21]
7. Turn the Heat Up [7:36]
8. The Student Terrorist [:38]
9. The Guy in the Picture [4:38]
10. The General [3:52]
11. The Terrorist Cell [4:59]
12. The End of the Crisis [3:35]
13. Bodies Everywhere [2:24]
14. City of Fear [2:25]
15. The Terrorist in the Schoolhouse [1:12]
16. A Plan of Attack [3:43]
17. 600 Dead [1:40]
18. A Time of War [1:30]
19. The Siege [:10]
20. Lamb to the Slaughter [:56]
21. Code Red [2:44]
22. Prisoners of War [3:47]
23. Time to Suffer [1:08]
24. The One Who Taught Them [4:42]
25. It's Still Our Watch... [2:17]
26. The Last Cell [3:12]
27. The Terrorist Within [3:18]
28. Prayers for the Dying [2:26]
29. It's All Over... [2:15]
30. End Titles [:42]

Scene Index

Editorial Reviews

Denzel Washington is always good, so it’s no surprise to see him effortlessly dominating this taut, violent action film directed with panache by Tony Scott ((Top Gun, Enemy of the State). What is surprising is how skillfully child star Dakota Fanning plays off the veteran actor in their scenes together. Washington is John Creasy, a former Special Forces operative who reluctantly takes a job as bodyguard to Pita Ramos (Fanning), the young daughter of a wealthy Mexican industrialist (Marc Anthony) and his stunningly beautiful Anglo wife (Radha Mitchell). A sullen, morose individual with a drinking problem, Creasy gradually warms to Pita’s sunny disposition -- only to succumb to the dark side of his nature when the girl is kidnapped and presumed murdered. Washington is remarkably convincing as the avenging angel who relentlessly pursues anyone who had a hand in the child’s disappearance. Cold-blooded and ruthless, this character reveals qualities Denzel seldom exhibits on screen; his portrayal of Creasy rivals his Oscar-nominated turn as the crooked cop in Training Day. And Fanning is so adorable -- and so realistic -- that her sudden removal from center stage lends added urgency and apprehension to the story. Scott’s staging is designed to keep viewers on edge throughout; his camera darts every which way and many shots are cut so short that they barely register as flashes on the screen. Action sequences erupt quickly in short, staccato bursts. But the visual pyrotechnics are strictly secondary to the powerful performances of Washington and Fanning, one of the most unlikely -- but most effective -- screen teams in recent memory. Ed Hulse, Barnes & Noble

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