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Commentary by director Blake Edwards; Vintage Jack Lemmon interview; Theatrical trailers; Subtitles: English, Français & Español
Full Product DetailsSide #1 --
1. Credits [2:14]
2. #7 [4:05]
3. A Name for It [2:58]
4. Elevator Banter [5:36]
5. That Brandy Thing [3:32]
6. Together in Heaven [6:58]
7. Man of Principle [3:44]
8. Roach Kingdom Revolt [3:40]
9. Newlyweds [7:01]
10. Taking Care of Business [4:59]
11. Drinking Buddies [5:52]
12. Not Everybody's Honest [4:31]
13. Kirsten's Accident [4:44]
14. A Couple of Bums [2:51]
15. A New Start [2:03]
16. Not-So-Private Party [5:31]
17. Greenhouse Foray [6:21]
18. Shower and Straitjacket [2:55]
19. Alcoholics Anonymous [5:28]
20. Kirsten Missing [5:07]
21. Go Away, Sober Joe [6:04]
22. Relapse [3:37]
23. All the Booze You Want [2:42]
24. If You Really Love Her [1:48]
25. Making Good [3:51]
26. The Way the World Works [3:55]
27. Joe's Choice [4:52]
Adapted from a well-regarded episode of TV's Playhouse 90 series, this superb drama -- a bittersweet love story with harrowing complications -- earned kudos for its uncompromising realism upon theatrical release in 1962. It has weathered the intervening four decades with very little loss of effectiveness; even today Days and Wine and Roses retains the power to shock. {|Jack Lemmon|} portrays a San Francisco public relations man whose floundering career gives him an excuse to accelerate his heavy drinking. Worried that she's losing her husband to the demon alcohol, beautiful but insecure wife Lee Remick hits the bottle with him, hoping somehow to regenerate their diminished compatibility. The results aren't pretty. Blake Edwards, better known for comedies such as The Pink Panther movies and 10, depicts Lemmon and Remick's downward spiral with brutal frankness and a calculated disregard for the facile solutions and empty platitudes of typical Hollywood movies. Lemmon's performance is both dynamic and chilling; his descent into a self-made Hell is positively blood-curdling. Remick, too, is effective in a difficult role, suggesting early on that she has an addictive personality that will facilitate her own succumbing to alcohol's anesthetic effects. Both stars earned well-deserved Academy Award nominations for their performances, but it was composer Henry Mancini who actually took home an Oscar that year for his title song, a deeply evocative standard Ed Hulse, Barnes & Noble
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