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| DVD - Pan & Scan / Edited | $14.99 |
| Blu-ray - Wide Screen | $27.99 |
Deleted scenes; "The Sound of Terror: The Subliminal Soundscapes of Dark Water" - Featurette on the movie's sound design; Analyzing Dark Water sequences - Explore the creation of specific scenes with viewing options; "Beneath the Surface: The Making of Dark Water" featurette; "An Extaordinary Ensemble" featurette
Full Product DetailsDisc #1 -- Dark Water
1. Be Honest With Yourself [:00]
2. 540 Eastwood [:00]
3. Another Puddle [:00]
4. Ceci's Missing [:00]
5. I Want to Live Here [3:46]
6. Don't Get Your Hopes Up [4:12]
7. Call a Plumber [3:27]
8. This Building Is Falling Apart [3:33]
9. It's Really Coming Down [3:16]
10. New Student [3:30]
11. Nobody [3:51]
12. Since Daddy Left [4:37]
13. You're Lying [3:43]
14. Dirty Things [4:47]
15. Laundry [4:11]
16. Taking a Nap [3:17]
17. The Leak's Back [4:10]
18. Natasha [5:00]
19. That's Appalling [3:22]
20. Left Behind [2:26]
21. Assumptions [4:50]
22. Here She Is Now [4:11]
23. I'm Here [5:16]
24. End Credits [2:05]
A terrifying novel by Koji Suzuki, previously adapted to film in Japan, becomes a profoundly unsettling supernatural thriller thanks to the inspired direction of Brazilian filmmaker Walter Salles. Newly divorced mom Dahlia (Jennifer Connelly), having won custody of her daughter, Ceci, in a bitter court battle, takes up residence in a depressingly dreary, run-down apartment -- the only affordable one in proximity to a good school. But shabby maintenance isn't the main problem. Long ago, Dahlia learns, something horrible happened in the empty apartment above hers...something that continues to haunt everyone in the building. Salles appropriates the visual style often used by Japanese filmmakers in the production of contemporary urban-based horror films; harsh fluorescent lighting drains the color out of already drab settings and gives the characters a pale, unhealthy appearance. The sun rarely shines, and the cloudy, rain-swollen skies cast a grey pall over the city. Tracking shots are employed sparingly, and when the camera moves it doesn't glide confidently but slithers stealthily down hallways or around corners. Horror is conveyed not by cheap "boo!" tactics but instead by the steady accumulation of disturbing events and blood-chilling revelations. Connelly is superb as the young mother, already emotionally fragile but determined to fight the unseen forces that threaten her young daughter -- who, by the way, is played by young Ariel Gade with the poise and assurance normally associated with much older and more sophisticated performers. Similarly effective in minor but carefully written roles are Tim Roth, John C. Reilly, Pete Postlethwaite, and Camryn Manheim. Dark Water isn't the type of horror movie that makes good "popcorn" fare: It doesn't rely on hoary, stereotypical devices and doesn't have the one-murder-per-reel pace many fans crave. Instead, it moves slowly, almost funereally, toward a sense-shattering conclusion that will leave most viewers limp with exhaustion once the movie has ended. And that's more than you can generally say of today's fright films. Ed Hulse, Barnes & Noble
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