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Richard Einhorn's Voices of Light: a choral and orchestral work performance by vocal group Anonymous 4, soloist Susan Narucki and the Radio Netherlands Philharmonic and Choir; audio essay by Casper Tybjerg, a Dreyer scholar from the University of Copenhagen; a history of the Passion's many film versions with clips; audio interview excerpts with the star's daughter, Helene Falconetti; extensive production design archive; an essay by Richard Einhorn on Joan of Arc and Voices of Light, plus a video essay on the music's production; Voices of Light libretto booklet, including the medieval texts used in Einhorn's composition
Full Product DetailsChapters
0. Chapters
1. About the Music [:22]
2. Credits [:40]
3. Exclavmavit/Prelude [1:56]
4. Chapel [1:12]
5. Victory at Orleans [5:03]
6. Interrogation [10:05]
7. Prison [1:56]
8. The Jailers [3:07]
9. Pater Noster [8:42]
10. The Jailers Return [2:19]
11. Torture Chamber [6:13]
12. Deathbed [:19]
13. Illness [4:17]
14. Sacrament [4:33]
15. Churchyard [:19]
16. Abjuration [8:21]
17. Recantation [4:11]
18. Karitas [2:03]
19. Anima [2:25]
20. The Stake [3:30]
21. The Final Walk [3:15]
22. The Burning [3:20]
23. The Fire of the Dove [2:53]
24. Epilogue [1:10]
Danish director Carl Dreyer's silent masterpiece still looks as astonishingly avant-garde today as it did 70 years ago. And stage actress Renée Falconetti remains the definitive Joan of Arc: As the maiden who led an army in defense of France, was burned at the stake as a heretic, and later canonized as a saint, she gives one of the screen's most remarkable performances. Dreyer chronicles Joan's trial and execution almost entirely in close-ups, isolating faces and objects at startling angles against stark backgrounds. The young martyr's face; tearful eyes cast heavenward; the fleshy, smirking countenances of her merciless judges; the sculpted features of Antonin Artaud (a memorable presence in the film) -- all become monumental canvases upon which every shade of human emotion registers with unparalleled intensity. Dreyer's original version, unearthed in a Norwegian mental institution and beautifully restored, is enhanced here by Richard Einhorn's exquisite choral score, Voices of Light. For those who have only seen inferior prints of the film, this splendid Criterion disc will come as a glorious revelation. Kryssa Schemmerling, Barnes & Noble
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