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Closed Caption; Deleted scene "Eliza's Fantasy"; Music video "That Girl," by Lindsay Lohan; Behind-the-scenes featurette: "Confessions From the Set"; Audio commentary with director Sara Sugarman, writer Gail Parent, and producers Robert Shapiro and Jerry Leider
Full Product DetailsSide #1 --
1. Opening Credits/Goodbye New York [5:31]
2. New School, New Friends [9:01]
3. Auditions [5:36]
4. The End of the World [:59]
5. The Perfect Outfit [1:48]
6. The Farewell Concert [9:38]
7. A Tortured Soul [8:52]
8. A Rock Star Party [7:33]
9. A Pigeon or a Flamingo [11:01]
10. Lola Rocks! [7:22]
11. A Surprise Guest [5:28]
12. What Lola Learned/End Credits [6:17]
1. Opening Credits/Goodbye New York [5:31]
2. New School, New Friends [9:01]
3. Auditions [5:36]
4. The End of the World [:59]
5. The Perfect Outfit [1:48]
6. The Farewell Concert [9:38]
7. A Tortured Soul [8:52]
8. A Rock Star Party [7:33]
9. A Pigeon or a Flamingo [11:01]
10. Lola Rocks! [7:22]
11. A Surprise Guest [5:28]
12. What Lola Learned/End Credits [6:17]
Lindsay Lohan is not a Mean Girl in this adaptation of Dyan Sheldon's young adult book favorite. But she is an unappealingly self-absorbed "drama queen" who must suffer the slings and arrows of moving from her beloved New York City to suburban New Jersey. Mary, who insists on being called Lola, considers herself "a flamingo in a flock of pigeons." For Lola, it's all about "fighting against ordinariness," "living in style," and landing the lead role in her high school play, a contemporary adaptation of Pygmalion. In fact, she is only barely more tolerable than her requisite high school nemesis, the beautiful, popular, and rich Carla Santini (Megan Fox), who also feels entitled to center stage and whose father is the lawyer for Lola's favorite rock band. The most sympathetic character is Ella (Alison Pill), Lola's misfit best friend, especially when Lola manipulates her into crashing a rock concert and after-party so that she can meet her singing idol. It is a tribute to Lohan's considerable charm and likability that viewers don't lose all patience with Lola, although it is fun to anticipate her comeuppance, however light it turns out to be. Confessions is also enlivened by the always reliable Carol Kane as Lola's high-strung drama teacher, a lively pop soundtrack (including the requisite Lohan track), and director Sara Sugarman's surprising surreal flourishes illuminating Lola's fanciful view of the world. Donald Liebenson, Barnes & Noble
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