Barnes & Noble

A splendidly cynical adaptation of Anthony Burgess's controversial novel, Stanley Kubrick's cult classic initially revolted moviegoers with its savage violence and apocalyptic view of a not-too-distant future. Three decades later, this bravura film, perhaps Kubrick's greatest, retains the ability to shock; moreover, its message seems more timely than ever. Malcolm McDowell is brilliant as the ringleader of a small band of thugs who roam the city streets by night seeking thrills, preying upon hapless citizens. Finally apprehended by the authorities, he is subjected to reconditioning in a government-implemented aversion-therapy program and returned to a dystopian society. Kubrick presents the depredations of McDowell and his "droogs" in a manner that is unremitting yet highly stylized; with his signature elegance and control, the director manages to suggest much more than he shows, and the effect is chilling. While differing from the Burgess novel in minor narrative details, Kubrick's A Clockwork Orange captures the book's essence much more completely than most literary adaptations. Although Kubrick leavens the stomach-churning violence with satire, he hews closely to the message set down in Burgess's book: Free will must be preserved, whatever the consequences, because attempts at governmental control of thought and behavior pose a far greater danger. Ed Hulse

All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's "Ninth" to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. Lucia Bozzola

Product Details

• UPC: 085391156741
• Source: WARNER HOME VIDEO
• Presentation: Wide Screen
• Sound: Dolby AC-3 Surround Sound
• Language: Français
• Editions: Remastered, Special Edition
• Time: 2:17:00
• Sales Rank: 4,915

This DVD is also available as part of a box set:

• Stanley Kubrick

Features: