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Six American GIs stationed in Asia secretly photograph the arcane rituals of a group of snake worshippers in Cult of the Cobra. At the climax of the ceremony, the cult members turn themselves into snakes. The high priestess catches the soldiers spying and throws a curse upon them. This off-beat horror film follows what happens to the men after that. Soon after they return to the U.S.A., the vengeful priestess follows them and people begin to die from snake venom poisoning, adding credence to the strange tale told by a surviving GI to the police, who become less skeptical as more evidence is unearthed. More trouble follows when the serpentine goddess falls for the ex-soldier's roomie. Sandra Brennan

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Were The Deadly Mantis a Friends episode, it would be "The one in with the huge, carnivorous praying mantis." After the the creature has attacked several people in a remote Arctic region, Col. Joe Parkham (Craig Stevens) swings into action. Parkham and his associates, Dr. Ned Jackson (William Hopper) and Ned's assistant Margie Blake (Alix Talton), track the predatory mantis as it heads southward to Washington DC (how did it get past customs?) The green monstrosity meets its Waterloo in "Manhattan Tunnel," where it is bombarded with poison gas (a little Raid or Black Flag might have come in handy). Some of the Arctic scenes in The Deadly Mantis were clumsily culled from the 1933 drama SOS Iceberg and a handful of Air Force training films. Hal Erickson

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The first Technicolor horror film since Mystery of the Wax Museum, Dr. Cyclops was directed by Ernest Schoedsack, of King Kong fame. Albert Dekker chews the scenery as mad scientist Dr. Thorkel, who has developed a process that will shrink human beings to doll size. His first victims include mining engineers Bill Stockton (Thomas Coley) and Steve Baker (Victor Kilian) and biologists Mary Mitchell (Janice Logan) and Dr. Bullfinch (Charles Halton). At first willing to play-act the role of benevolent despot with his miniaturized captives, Thorkel reveals the more sinister side of his personality by abruptly murdering Bullfinch in cold blood (easily the film's most frightening sequence). The rest of the picture details the escape efforts of the three pint-sized protagonists as they hack their way through a jungle of gigantic foliage and do battle with oversized wildlife. Though the cheery Technicolor hues tend to dilute the "scare" quotient in Dr. Cyclops, the special effects are superbly convincing throughout. Hal Erickson

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The screen's great existential science fiction film, The Incredible Shrinking Man stars Grant Williams in the title role. While catching some rays on his brother's yacht, Scott Carey (Williams) is enveloped by a mysterious dark cloud. Soon after, he discovers that he's getting thinner -- and smaller. Despite the assuring attitude of his family doctor (the inevitable William Schallert), Scott is losing an inch's worth of height with each passing day. It is finally determined that he has developed an "anti-cancer," a by-product of a new strain of insecticide. By the time he's reached the size of a small boy, Scott has become world-famous. But the phenomenon has adversely affected his personality, turning him into a tyrant, lashing out at the world in general and his faithful wife in particular. An anti-toxin briefly halts the shrinking process, whereupon Scott joins a midget troupe, where he is briefly "accepted" for what he has become. But before long he's shrinking again, becoming so tiny that he is forced to live in a dollhouse. When Scott is attacked by his pet cat, his wife assumes that he's been killed; in fact, Scott, by now so minuscule that even a garden-variety spider poses a deadly threat to him, is hiding in his cellar. By film's end, Scott is no larger than an atom. Uncertain of what is in store for him, he steps out into the mists, summing up his newfound philosophy: "Smaller than smallest, I meant something too. To God there is no zero. I still exist!" Adapted by Richard Matheson from his own novel, The Incredible Shrinking Man is enhanced by its superb special effects. Hal Erickson

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Generous portions of The Secret Land, the 1948 documentary on the Byrd Antarctic Expedition, were worked into the action of The Land Unknown. Jock Mahoney and William Reynolds play Hal and Jack, leaders of an expedition to the South Pole. Along for the ride is girl reporter Maggie (Shawn Smith), over whose affections Hal and Jack constantly battle. Making a forced landing in the Antarctic, our intrepid explorers find that they've descended well below sea level. Before long, they are attacked by prehistoric beasts which have been preserved in this heretofore uncharted region. When not fending off Tyrannosauri and Pterodactyls, Hal, Jack, Maggie and copter pilot Steve (Phil Harvey) try to steer clear of an unwieldly carnivorous plant. Further complicating things is the presence of a long-lost, slightly demented scientist (Henry Brandon) who craves companionship...specifically the female companionship of Maggie. Its reasonably convincing special effects notwithstanding, The Land Unknown is much ado about nothing. Hal Erickson

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The Mole People holds the dubious distinction of being the weakest of the Universal-International horror films. John Agar plays Dr. John Bentley, who leads a Middle Eastern expedition in search of a lost tribe of Sumerians. Bentley and his cohorts follow a tunnel deep, deep, deep below the surface of the earth, eventually coming across a tyrannical tribe of albino Sumerians, who use the semi-human Mole People as slaves. What follows is so dull and plodding that stars John Agar and Hugh Beaumont seem like Mel Gibson and Arnold Schwarzenegger in comparison. Some prints of The Mole People are minus the pre-credits "explanation" by 1950s celebrity egghead Dr. Frank Baxter. Hal Erickson

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In some ways, the coming-attractions trailer for The Monolith Monsters is more exciting than the picture itself. The plot gets under way when a meteor crashes in the desert, leaving behind huge black chunks. While being analyzed in a science lab, the crystaline stones are accidentally drenched with water, whereupon they begin to grow to gargantuan dimensions. In a twinkling, these monster monoliths are running amok, "petrifying" whomever and whatever gets in their way. A sudden rainstorm further exacerbates the situation, causing the monoliths to grow to hitherto unimagined heights. Can the world be saved by the saline solution which the scientists are hurriedly developed in the lab? The notion of killer rocks was certainly a novelty: it would have been nice if Monolith Monsters had consistently lived up to the promise of its premise. Hal Erickson

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In the sci-fi film Monster on Campus, a college professor must deal with the cataclysmic consequences that ensue when a transmogrifying dragonfly bites a prehistoric fish from Madagascar. Soon after the bite, the strange fish becomes gigantic and begins passing on its new ability to morph all it comes in contact with back into their primal forms. When it bites a dog, the dog becomes a wolf. When some fish slime ends up in the professor's pipe, the professor put it to his lips, and he turns into a rampaging Neanderthal with a very large stone-axe that he freely wields around the terrified college campus. Bloody mayhem ensues. Sandra Brennan

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In Edward Dein uninspired horror film The Leech Woman, the story begins in darkest Africa and in the title character's increasingly darker psyche. June Talbot (Colleen Gray) goes on a trip to Africa with her husband Dr. Paul Talbot (Phillip Terry), only to discover that she is to be the trial balloon in one of his experiments on an anti-aging compound. Not willing to jump off into the unknown, the already unbalanced June kills her husband after she learns of a tribal ritual that will keep her youthful if she can obtain a hormone from the pineal gland of a human male. The problem is that she will revert back to a wrinkled woman unless she keeps replenishing her stock of the hormone. That, of course, leads to gruesome killings and ultimately, one disastrous mistake. Eleanor Mannikka

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A man with a strangely misshapen face wanders out of the desert near a small town and falls to the ground dead. The county sheriff (Nestor Paiva) tentatively identifies the dead man as Eric Jacobs, a laboratory assistant to Professor Deemer (Leo G. Carroll), a research scientist living a few miles out in the desert. But there's something strange about Jacobs; his facial features and bodily extremities are distorted to a point where he's barely recognizable. The sheriff calls in Dr. Matt Hastings (John Agar), the local physician, who makes a diagnosis of acromegalia, a glandular disorder that affects the body's growth. He also tells the sheriff that it can't possibly be acromegalia, because symptoms as pronounced as those he sees in this case take years to develop, and the man was in perfect health just three months earlier. Hastings refuses to believe the professor's account of Jacobs' rapid deterioration, but the sheriff takes the word of the scientist. Back in his laboratory, Deemer continues his work, going over tests of a chemical on various animals, all of which are jumbo-sized, including guinea pigs the size of rabbits, baby mice the size of full-grown rats, and a tarantula three feet long. Suddenly, the professor is attacked by his assistant (Eddie Parker), whose face and hands are distorted in the same manner as Jacobs, and who injects the helpless scientist with the experimental chemical before collapsing dead. A fire starts during the attack and in the confusion, the tarantula's glass cage is broken and it escapes the burning laboratory, wandering out into the desert. Weeks go by, and a new assistant, Stephanie "Steve" Clayton (Mara Corday), arrives to begin work for the professor. When Hastings gives her a ride to Deemer's home, the scientist explains to the doctor that he's been working on a radioactive nutrient, that, if perfected, could feed the entire world's population. He also says that Eric Jacobs made the mistake of testing the chemical on himself and it caused the disease that killed him. Hastings and Steve begin a romance, unaware that wandering around the desert is the tarantula from Deemer's laboratory, now grown to the size of an automobile and getting bigger with each passing day. Soon livestock and then people begin disappearing, and the sheriff is at a loss to explain any of it, or the one clue left behind in each case: large pools of what seems to be some kind of venom next to the stripped skeletons of the victims. Hastings takes some of the material in for a test; meanwhile, Steve notices that Deemer is going through some bizarre changes. His mood has darkened and his features now appear to be changing, as the acromegalia, caused by the injection, manifests itself. Hastings learns that one of the professor's test animals was a tarantula, which was presumed destroyed. When he learns that the pools near the deaths are composed of spider venom -- equivalent to what it would take many thousands of spiders to generate -- he's certain that the tarantula from the laboratory survived. By this time, the title creature is bigger than a house and ravaging the countryside, killing everything in its path and knocking down power lines and telephone poles as it moves. Hastings arrives just in time to rescue Steve from the attacking creature, which destroys Deemer's house and kills the professor. The sheriff and the highway patrol are unable to slow the creature, now the size of a mountain and moving at 45 miles an hour, even with automatic rifle fire, as it follows the road through the desert toward the town. Even an attempt to blow it up with dynamite fails when the monster walking right through the blast. Finally, the creature is poised to attack the town, when jets scrambled from a nearby Air Force base (led by a young Clint Eastwood, barely recognizable behind an oxygen mask) swoop in. When rockets fail to divert the monster from its path, the jets roar in for a second pass and drop enough napalm to incinerate the creature. Bruce Eder

Product Details

• UPC: 025195033015
• Source: UNIVERSAL STUDIOS
• Region Code: 1
• Aspect Ratio: Pre-1954 Standard (1.33.1), Alternate Wide Screen (1.78:1)
• Presentation: B&W, Wide Screen
• Language: English
• Subtitles: Français
• Time: 13:09:00
• Sales Rank: 10,065

This set contains DVDs which may be available separately:

• Tarantula
• The Mole People
• Incredible Shrinking Man
• The Monolith Monsters
• Monster on the Campus
• Dr. Cyclops
• Cult of the Cobra
• The Land Unknown
• The Deadly Mantis
• The Leech Woman

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