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Closed Caption; "News From a Personal War" documentary
Full Product DetailsSide #1 --
1. Chasing the Chicken
2. In the City of God
3. The Motel Job
4. See No Evil
5. Shorty Suspects
6. Buried Alive
7. The Seventies
8. The Apartment
9. L'il Zé
10. The Local Drug Trade
11. Bené's New 'Do'
12. The Runts
13. Hand or Foot
14. Knockout Ned
15. Goodnight Sweet Prince
16. Killing Spree
17. Ned Goes Over
18. Rampage
19. Rocket
20. Take My Picture
21. Front Page
22. Guns Like Candy
23. Bloodbath
24. Rocket Sees All
25. End Credits
This breathtaking, ferocious, and occasionally terrifying drama about violent gangs in Rio de Janeiro has been compared to Martin Scorsese's Goodfellas, and the comparison is an apt one. The movie is about a city within a city, a sizable slum where life unfolds chaotically and the law has little sway. In this milieu, young men thrive only when they join a gang, so that's the obvious choice for Rocket (Alexandre Rodrigues). With poverty undermining most of the slum's families, the gangs offer structure and community. While Rocket and his friends are certainly criminals, they're not very wealthy, because their activities are limited to the "City of God," whose inhabitants don't have much money. Living lives of violence and desperation, the gang members don't expect to reach a ripe old age -- a perfectly understandable feeling, given the savagery and suddenness of their clashes with rivals. Fernando Meirelles (whose direction earned an Oscar nomination) and his co-director, Katia Lund, employ jerky shots taken with handheld cameras and rapid cutting to give the film a jagged sense of urgency. In this city, danger lurks around every corner, and only the quick of mind and fleet of foot can expect to survive. This urban wasteland seems Dickensian, and the supporting characters are invested with colorful personalities. Brazil's president called City of God a necessary wake-up call, and the Academy of Motion Picture Arts and Sciences saw fit to nominate the film for four Oscars -- in addition to the nod for Meirelles, the film’s cinematography, screenplay, and editing were also cited. The movie doesn't romanticize, exploit, or condescend, as some gangster films do, yet it is every bit as riveting and memorable as many of the genre’s celebrated masterworks. Ed Hulse, Barnes & Noble
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