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| More Formats | |
|---|---|
| DVD - Wide Screen | $12.99 |
| DVD - 2-DVD Set / Collector's Edition | $29.99 |
Feature commentary with director Ron Howard; Feature commentary with co-writer Akiva Goldsman; Feature commentary with co-writer Cliff Hollingsworth; Deleted scenes; The Fight Card: casting Cinderella Man; For the Record: a history in boxing; Ringside seats; Jim Braddock: the friends & family behind the legend; Pre-fight preparations; Lights, camera, action: the fight from every angle; Braddock vs. Baer fight footage; Photo montage; The sound of the bell; Cinderella Man music featurette; The human face of the depression; Russell Crowe's personal journey: becoming Jim Braddock
Full Product DetailsDespite exemplary reviews and more-than-ample media coverage, this Depression-era drama failed to achieve the box-office success predicted for it -- an inexplicable circumstance, because Cinderella Man stands head and shoulders above most of 2005's films. It’s the inspiring story of New Jersey-born boxer James J. Braddock (Russell Crowe in yet another Oscar-worthy performance), a once promising heavyweight reduced to working as a dockhand after a broken hand takes him out of contention for the title. Down but never out, Braddock and his loyal wife, Mae (Renée Zellweger), manage to keep their family intact. With help from his manager (Paul Giamatti), Braddock eventually gets back in the ring -- and starts winning. His unlikely ascent captures the attention of the newspapers and the fans, and it soon becomes apparent that this family man is headed for a title match with reigning champ Max Baer (Craig Bierko), a formidable fighter whose punching power has already caused the death of one opponent. Braddock’s rags-to-riches story teems with the kind of incidents that would appear to be the invention of studio screenwriters, but in this case they actually happened. When Braddock began winning again, for example, he did repay government welfare funds he had earlier accepted. However, there’s at least one unfortunate deviation from reality: director Ron Howard and writer Cliff Hollingsworth's portrayal of Baer as a bloodthirsty brute. Baer’s heirs justifiably protested the demonization; but it works to the film’s advantage, enhancing the suspense surrounding the Big Fight, which is one of the most technically convincing and emotionally satisfying bouts ever committed to celluloid. Boasting exemplary work from all involved, Cinderella Man is Hollywood entertainment in the best possible sense of the term. Ed Hulse, Barnes & Noble
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