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The making of "Chocolat"; Feature commentary with director Lasse Hallstrom and producers David Brown, Kit Golden, and Leslie Holleran; The costumes of "Chocolat"; Production design featurette; Deleted scenes; French-language track; Spanish subtitles; Dolby Digital 5.1 Surround Sound; Widescreen [1.85:1] enhanced for 16x9 televisions
Full Product DetailsSide #1
0. Chapter Selection
1. Opening Credits: A Tranquil Village And The North Wind [:15]
2. "Where Are You From?" [3:42]
3. To Lead By Example [3:42]
4. The Radical Atheist [1:02]
5. Waking The Passion [2:12]
6. Fasting And Favorites [3:33]
7. "One's Enemy" [:10]
8. "People Talk" [4:08]
9. Hidden Thoughts And Yearnings [2:13]
10. The Chocolate Crusade [3:53]
11. A Guaranteed Problem [2:46]
12. "Boycott Immortality" [7:05]
13. Chocolate, Worms, And Sin [5:49]
14. Planning A Party [:28]
15. Exquisite Indulgences [3:17]
16. Riverboat Disaster [4:01]
17. Saying Goodbye [3:07]
18. Banishment From The Village [3:50]
19. "Don't Worry, Mama" [3:22]
20. Comte And His Confections [4:05]
21. Freedom From Tranquility [7:06]
22. End Credits [1:22]
This modest but handsome Chocolat enchants viewers with its whimsical charm, beguiling characters, and unerring insights, while providing the best English-language vehicle to date for the luminous Juliette Binoche. Binoche portrays a peripatetic single mother who arrives in a sleepy French village and establishes a chocolate shop during Lent. She displays a remarkable facility for sensing the moods of customers and finding confections to match, but the sensuous appeal of her products is lost on the town mayor (Alfred Molina, who’s never been better), an uptight soul who believes she will undermine his authority. Johnny Depp, as an Irish riverboat gypsy, supplies a leading man of sorts, but Chocolat is really an ensemble film, and his contribution is no less important than those of Molina, Judi Dench (playing Binoche’s irascible landlady), and Lena Olin (as an abused wife who works in the shop). Director Lasse Hallstrom (The Cider House Rules) resists the temptation to make his film a full-blown allegory, but he also refuses to allow the story’s realistic elements to overshadow its mystical ones. Every bit as tasty a confection as the ones Binoche makes onscreen, Chocolat is smooth, sweet, and satisfying. Ed Hulse, Barnes & Noble
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