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Disc #1 -- Cecilia & Bryn: At Glyndebourne - Arias & Duets
2. Overture "Cinque...Dieci..." [3:25]
3. Si a Casa [5:31]
4. Se Vuol Ballare [2:46]
5. Parto, Parto [7:25]
6. Overture [7:43]
7. Dunque Io Son [8:31]
8. Madamina [6:36]
9. Al Tuo Se No Fortunato [6:22]
10. Quanto Amore! [7:43]
11. La Ci Darem La Mano [6:40]
12. Arm, Arm Ye Brave [5:32]
13. Bel Raggio Lusinghier [7:05]
14. Pa-pa-pa-pa [7:17]
For this April 1999 gala at England's Glyndebourne Opera House, the Italian mezzo Cecilia Bartoli and the Welsh baritone Bryn Terfel came together to create a euphonically rich and memorable evening. Both singers are prized for beautiful, well-trained, musically incisive voices and vivid stage personalities, and the program of arias and scenes displays all their talents in an ideal light. Happily, neither singer affects the stuffy demeanor frequently demanded of soloists fronting an orchestra (as opposed to playing characters in full set and costume). They enter to sing when the music demands, not beforehand (in search of applause); they play the arias and scenes not only with their voices but their expressions, gestures, and bodies. Together, they are at their best in Mozart, essaying selections from Le Nozze di Figaro (which they've performed together) and Die Zauberflöte and Don Giovanni (which they haven't). Alone, Terfel is most effective singing Handel's "Arm, arm ye brave," from Judas Maccabeus. Bartoli, after a "Parto, parto" from Mozart's La Clemenza di Tito that has fine sound and shape but not quite enough insight, comes through with "Bel raggio lusinghier" from Rossini's Semiramide, a festival of rapid-fire, spirited singing. The final effect fulfills the gala mandate: the listener's ears are stuffed with abundant, gorgeously played music. -- Patrick Giles, Barnes & Noble
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