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| More Formats | |
|---|---|
| DVD - Wide Screen / Dolby 5.1 | $13.49 |
| DVD - Wide Screen | $14.99 |
| DVD - Wide Screen | $22.99 |
| DVD - Full Frame | $14.99 |
| Blu-ray - Wide Screen / Subtitled / Dubbed | $19.99 |
Commentary by Robert Zemeckis & crew; Audio: English DTS ES, English Dolby Digital EX, Spanish Dolby Surround, French Dolby Surround; Subtitles: English, Spanish
Full Product DetailsSide #1 --
1. Main Titles
2. The FedEx® Way
3. A Message for Kelly
4. Home for Christmas
5. Presents & Promises
6. Turbulence
7. Mayday!
8. The Crash
9. Washed Ashore
10. Totally Alone
11. The Coconut Problem
12. The Island
13. Albert Miller
14. A Light in the Distance
15. The Storm
16. Gifts From FedEx®
17. To Make Fire
18. Wilson
19. His Own Dentist
20. Four Years Later
21. The Raft
22. 30 Feet of Rope
23. Escape to the Sea
24. Where's Wilson?
25. Rescued
26. Welcome Home
27. Back to Life
28. The Night Visitor
29. The Love of My Life
30. Adding It Up
31. At the Crossroads
32. End Titles
By updating Robinson Crusoe for contemporary audiences, director Robert Zemeckis (Forrest Gump) and megastar Tom Hanks created one of the more unusual and engrossing Hollywood movies to wash up on the big screen in quite a while. Hanks plays Chuck Noland, a workaholic Federal Express engineer whose plane goes down over the South Seas, leaving him stranded alone on the proverbial desert island for four years -- a cruelly ironic fate for a man obsessed with time to the point of compulsion. For the better part of Cast Away, we watch as Hanks figures out how to stay alive using the meager resources available to him -- including the contents of the FedEx packages that wash ashore from his wreck -- and his rudimentary progress makes for entertainment as involving as any effects-laden blockbuster. There is suspense in anticipating how he will solve the problems that confront him: opening a coconut, collecting drinking water, and most daunting of all, making fire. Cast Away, like its hero, only comes alive when stripped of the trappings of civilization. Everything leading up to and following Noland's stay on the island -- even the extended and terrifying plane crash -- feel beside the point. There is more genuine pathos in his final scene with the anthropomorphized volleyball that becomes his cherished companion than there is in any of the teary-eyed exchanges with girlfriend Helen Hunt. Although the movie is overly freighted with allegorical and spiritual significance, the scenes on the island work because they hark back to primal pleasures of earliest cinema, when audiences were spellbound simply by the sight of a human being on the screen going through the basic routines of existence. Kryssa Schemmerling, Barnes & Noble
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