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Audio commentary by director Bennett Miller and actor Philip Seymour Hoffman; second commentary by Miller and cinematographer Adam Kimmel; "Unanswered Prayers," a documentary on Truman Capote; two behind-the-scenes documentaries.
Full Product DetailsDisc #1 -- Capote
1. Start [:00]
2. Problem Novels [:00]
3. Alvin Dewey, KBI [:00]
4. People Here Won't Talk to Me [:00]
5. Pretty Shattered [:00]
6. Just Talk [:00]
7. 94% Recall [:00]
8. Apprehended [:00]
9. First Impressions [:00]
10. Guilty [:00]
11. Worlds Converge [:00]
12. Unlimited Visitation [:00]
13. Not So Different [:00]
14. In Cold Blood [:00]
15. One Missing Piece [:00]
16. You've Got Your Ending [:00]
17. Outsider [:00]
18. 1st Public Reading [:00]
19. What's He Got to Lose? [:00]
20. One Singular Reason [:00]
21. How Could I? [:00]
22. November 14, 1959 [3:27]
23. Desperate to Be Done [4:42]
24. Torture [3:22]
25. Unable to Make It [3:57]
26. Goodbyes [3:29]
27. For the Life of Me [3:50]
28. End Credits [4:23]
Philip Seymour Hoffman capped the 2006 awards season with a well-deserved Academy Award win for his remarkable portrayal of writer Truman Capote in this mesmerizing drama, one of the previous year's best movies. Set in the period during which Capote -- the celebrated author of Breakfast at Tiffany's -- researched and wrote his chilling account of a Kansas family's brutal murder by “thrill killers” Richard Hickock and Perry Smith, the film paints an unflattering picture of its subject, who for many years was an A-list party guest, raconteur, bon vivant, and darling of New York's literary set. Dan Futterman's screenplay doesn't attempt to obscure the fact that Capone ruthlessly exploited and manipulated everyone around him -- including Smith, whom he befriended and pretended to represent to the outside world -- to get the story he knew would be his crowning achievement. That even included his loyal friend Harper Lee (Catherine Keener) and his patient lover Jack Dunphy (Bruce Greenwood), who sacrificed much to help Truman achieve his goal. Although the burly Hoffman isn't at all physically suited to play the diminutive author, he so fully submerges himself into the role that he is able to convey Capote's essence with uncanny accuracy. He nails the superficial characteristics -- mincing speech, fluttery hand gestures, and a supercilious manner -- but also gets under the writer's skin, revealing the profound self-loathing and deep-rooted insecurity that compelled Capote to dismiss or reject those who cared about him most. Hoffman's performance would be a thing worth marveling at even if it appeared in a mediocre motion picture; that it further distinguishes such a spellbinding drama makes it all the more irresistible. Ed Hulse, Barnes & Noble
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