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Closed Caption; Outtakes with Bill Murray and more; Behind the scenes with cast and crew; Extended scenes
Full Product DetailsDisc #1 -- Broken Flowers
1. The Pink Letter [3:26]
2. The Private Life of Don Juan [5:03]
3. Dear Don [6:50]
4. It's Kinda Lonely in Here [4:36]
5. What List? [4:00]
6. The Plan [4:55]
7. In Transit [6:08]
8. Surprise Appearance [4:50]
9. Laura & Lolita [3:31]
10. Just Looking for a Typewriter [2:49]
11. Dora [6:13]
12. A Swig of Oil [4:51]
13. Stalking in a Taurus [7:45]
14. Hidden Agenda [6:26]
15. I'm Lost [3:13]
16. Penny's Farm [7:35]
17. Michelle Pepe [5:15]
18. The Last Card? [6:07]
19. All There Is Is This [6:54]
20. End Titles [4:58]
That incomparable master of movie minimalism, director Jim Jarmusch, uses an uncharacteristically subtle Bill Murray as his onscreen surrogate in this placid but absorbing dramedy. Murray portrays Don Johnston, a womanizing computer-biz millionaire described by his most recent girlfriend (Julie Delpy) as "an over-the-hill Don Juan." After receiving an anonymous letter indicating that he's the father of a young man now looking for him, Don rouses himself from the comfort of his modest home to visit his former paramours in an attempt to learn whether or not he's being put on by an irate ex-lover. The ladies in question: a recently widowed scatterbrain (Sharon Stone); an uptight realtor (Frances Conroy); a flighty pet therapist (Jessica Lange); and a tight-lipped biker chick (Tilda Swinton). The female characters are sharply drawn and well portrayed by fine actresses in what amounts to glorified cameos. Murray's character largely reacts to them, and under Jarmusch's direction the erstwhile Saturday Night Live star holds himself back with unusual but welcome restraint. We never really know what Don is thinking, because his demeanor suggests catatonia; he's an emotionally immobile figure around whom the episodic story dawdles, provoking quiet laughs with the slightest of expressions and gestures. We daresay the movie's humor will be lost on those viewers who prefer the likes of, say, Wedding Crashers or The 40-Year-Old Virgin. But those who enjoy unpretentious comedies with intellectual underpinnings will find this sparkling Jarmusch jewel much to their liking. Ed Hulse, Barnes & Noble
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