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In one of the great ironies that pepper motion picture history, Bringing Up Baby flopped when theatrically released in 1938, confirming Katharine Hepburn’s newly minted status as “box-office poison.” Today it’s considered the definitive screwball comedy, and Hepburn’s performance is thought to be among her very best. She plays a madcap heiress -- there wasn’t any other kind in ‘30s comedies -- who falls for bespectacled, absent-minded zoologist Cary Grant, a straitlaced scientist hoping to make history with his painstaking reconstruction of a dinosaur skeleton. When one of the bones is misplaced, he searches desperately for it and runs afoul of Hepburn. Howard Hawks (Twentieth Century) directs from a sidesplitting Dudley Nichols-Hagar Wilde script, eschewing fancy camera tricks or editorial effects to give his actors the broadest possible latitude. By this time, Grant had already established himself as a master of light comedy, and he played his role to a tee. But Katharine the Great was known as a dramatic actress, and her turn as the garrulous glamour girl was more of a stretch. If the movie seems a little timeworn, that’s only because it’s been ripped off so many times by less talented filmmakers. (Peter Bogdanovich did it as What’s Up, Doc?) It actually holds up quite well, having more charm and verve than most of the dreck marketed as comedy these days. Ed Hulse, Barnes & Noble
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