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Closed Caption; Deleted scenes; Gag reel; "Breaking Down Bringing Down the House" behind-the-scenes featurette; Queen Latifah music video "Better Than the Rest"; "The Godfather of Hop" featurette; "Da' Commentary" with director Adam Shankman and writer Jason Filardi; Dolby Digital 5.1 Surround Sound; Full-screen (1.33:1); French-language track
Full Product DetailsSide #1 --
1. Opening Credits/Legaleagle & Lawyer Girl [9:43]
2. A Hot Date [9:19]
3. The Morning After [9:32]
4. The New Nanny [11:17]
5. Country Club Catfight [5:07]
6. Dance Lesson [8:37]
7. Love Lessons [11:34]
8. Happy Memories [1:17]
9. Twisted Up in the Game [10:00]
10. Hostage Situation [4:18]
11. Down Low [2:15]
12. Some Kind of Freaky/End Credits [12:41]
This unabashedly raucous comedy represents a triumphant return to form for Steve Martin, whose recent film work has been uneven at best. He's in fine fettle here as a lonely divorcee shocked to learn that he’s been conducting an Internet romance with an African-American ex-convict (Queen Latifah) trying to prove her innocence. When Latifah unexpectedly shows up on Martin’s doorstep, the upper-middle-class lawyer ties himself in knots trying to conceal her true identity from his kids, clients, and -- above all -- his still-devoted ex-wife (Jean Smart). The plot becomes almost absurdly complicated (and progressively less credible), but that doesn’t matter a bit: Martin, Latifah, and the rest of the cast keep this House tidy by virtue of their enthusiastic trouping. The erstwhile "wild and crazy guy" reminds us once again what a facile performer he is; very few comic actors handle verbal and visual comedy equally well, but Martin certainly belongs to that select fraternity. Latifah, whose work in this film and Chicago is nothing short of revelatory, more than holds her own in scenes with her impressively talented costar. The supporting players also are uniformly excellent, the standouts being Eugene Levy (as one of Martin’s coworkers), Missi Pyle (as Smart’s bitchy sister), and Joan Plowright (as the dotty dowager whose business Martin hopes to secure). Director Adam Shankman (The Wedding Planner) is a former choreographer, and it shows: He whisks his characters through their scenes with deceptive simplicity, executing gags with perfect timing and maintaining a rapid pace. His camera doesn’t move ostentatiously, and it always captures action from the most advantageous angles. Bringing Down the House is an expertly directed movie, but it’s the cast that makes it so gloriously funny -- even when it gets almost too silly for words. It marks a great comedic comeback for Martin and represents a milestone in Latifah’s burgeoning screen career. Ed Hulse, Barnes & Noble
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