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Luminous digital transfer, with restored image and sound; Audio commentary by film historian Bruce Eder; Restoration demonstration; Original theatrical trailer; English subtitles for the deaf and hearing impaired
Full Product DetailsSide #1
0. Chapters
1. Logos/Opening Credits [:15]
2. Milford Junction Station [1:33]
3. Laura and her Family [8:54]
4. Rachmaninoff and Recriminations [:32]
5. "I Happen to be a Doctor." [2:50]
6. "You Could Never be Dull." [3:50]
7. "Don't You Feel Guilty?" [1:46]
8. Falling in Love Over Alec's Ideals [:36]
9. A Close Call [5:21]
10. Love on the Run [1:54]
11. Flames of Passion [:40]
12. Laura's Fantasies [6:02]
13. A Lie Between Friends [2:08]
14. In Flagrante Delicto [1:31]
15. Saucy Upstart Soldiers [3:48]
16. A Friend's Apartment [2:36]
17. At the War Memorial [3:51]
18. "Could You Really Say Goodbye?" [3:22]
19. "A Long Way Away..." [1:16]
20. Coming Back [2:35]
There are romantic movies, and then there's Brief Encounter. Firmly entrenched in the pantheon of tear-jerkers, director David Lean's impeccable, achingly sad, three-hanky movie explores a life-defining affair of unrequited love. Against the emotion-drenched musical backdrop of Rachmaninoff's Second Piano Concerto, the movie charts the passion unleashed during a chance meeting at a railway café between Laura, an unfulfilled housewife (the stunning Celia Johnson), and Alec (Trevor Howard), a doctor locked in a similarly passionless marriage. Because the film begins at the end and then relates the story in flashback via voice-over, even the most innocent and joyful moments of the relationship seem suffused with the knowledge of what is to come. Lean films this tale -- adapted by Noel Coward from his own short play, Still Life -- with remarkable simplicity and beauty: Trains pull into the station, all smothered in smoke and eerie lighting; close-ups capture Laura's gossipy neighbor's mouth yammering on, oblivious to the fact that Laura is dying inside. Like the film as a whole, the performances by Johnson and Howard are touching and restrained. They remain quietly decent and dignified in the face of despair; few celluloid lovers have ever come across with such subtlety and power., Barnes & Noble
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