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New 2003 19 x 9 anamorphic transfer; New Dolby Digital 5.1 track remixed and designed for home video environments; Liner notes; Animated menus; Original mono soundtrack; Audio commentary by director Frank Henenlotter and Brain Damage novelist Bob Martin; Isolated music score; Original theatrical trailer
Full Product DetailsSide #1 --
1. Main Titles [2:45]
2. Parasite Lost [4:46]
3. Hallucination [4:38]
4. Parasite [4:55]
5. Auto Graveyard [7:50]
6. Dinner [4:30]
7. Hell [5:34]
8. Blow Job [3:14]
9. Origins [4:12]
10. Leaving [1:25]
11. Sunshine Hotel [3:56]
12. Addiction [3:20]
13. Elmer's Tune [1:45]
14. Locked [2:21]
15. Bathroom of Blood [4:22]
16. Brotherly Love [6:04]
17. Hungry Again [1:45]
18. Subway [5:48]
19. Gun Crazy [4:01]
20. Overdose [2:50]
21. Headache [1:40]
22. End Titles [3:44]
Cult filmmaker Frank Henenlotter didn’t make as much of a splash in 1988 with this comedic horror movie as he did in 1982 with his debut, Basket Case, but Brain Damage still delivers laughs and chills in equal measure. Rick Herbst portrays Brian, an unfortunate young man who falls victim to "Elmer," an eel-like parasite that controls the lad’s mind by injecting it with an addictive, hallucinogenic liquid. Elmer (whose voice is supplied by legendary deejay and horror-show host John Zacherle) needs human brains for sustenance and forces Brian to provide them. Henenlotter’s twisted sense of humor makes Brain Damage a gore hound’s delight; in one of the grisly comic set pieces, Herbst’s character, while undergoing withdrawal, imagines that he’s pulling his own brains out through his ear in a long, bloody string. We won’t even try to describe a hilariously repulsive sequence in which Elmer interrupts a prostitute in flagrante delicto. The director employs a wide variety of psychedelic effects -- reverse-polarity images, quick cuts of rippling blue water, flashing lights, droning music -- to make his film a properly hallucinatory experience, and he succeeds beyond any viewer’s wildest expectations. The actors are all unknowns, the production values are perfunctory at best, and the special effects -- while graphic -- wouldn’t fool a 12-year-old. But Brain Damage is great fun, a wild ride through the imagination of one of the most cheerfully demented directors ever to cry, "Action!" Ed Hulse, Barnes & Noble
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