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Closed Caption; Exclusive Michael Moore interview on his Oscar win & acceptance speech; Personal introduction by Michael Moore; "Return to Denver/Littleton" featurette; Interview with Michael Moore by former Press Secretary Joe Lockhart; Audio commentary by receptionists and interns; Teacher's guide; Segment from "The Awful Truth II: Corporate Cops"; Michael Moore's "Action Guide"; Film festival scrapbook; The Charlie Rose Show with Michael Moore; Marilyn Manson's "Fight Song" music video; Photo gallery; Original theatrical trailer
Full Product DetailsSide #1 -- Feature Presentation
1. Morning in America [1:41]
2. North Country Bank [1:48]
3. Mike's First Gun [3:20]
4. Chris Rock [:56]
5. Michigan Militia [3:43]
6. James Nichols [2:56]
7. Oscoda Boys [5:18]
8. Littleton [3:54]
9. Wonderful World [5:53]
10. Columbine [5:39]
11. Heston at NRA Rally [3:14]
12. South Park/Matt Stone [2:37]
13. Scary Kids [2:51]
14. Marilyn Manson [3:55]
15. "Was it the Bowling?" [1:36]
16. We're #1 [3:08]
17. A Brief History of America [3:15]
18. Fear of Everything [3:05]
19. Fear of Black Men [3:08]
20. Suburban Guns [3:58]
21. L.A. Cops [1:27]
22. Corporate Cops [4:05]
23. Oh, Canada! [5:01]
24. Unlocked Doors [5:43]
25. Little Kayla [6:36]
26. The Other Victim [2:35]
27. "Welfare to Work" [5:41]
28. Fear and Ammo [2:35]
29. Returning the Merchandise [4:34]
30. K-Mart [3:19]
31. Charlton Heston [8:40]
32. Mike Bowling/Credits [3:16]
Michael Moore's Academy Award-winning documentary Bowling for Columbine is one of the more polarizing, disturbing films in recent memory. The empirical facts put forth in it are irrefutable: Millions of guns are circulating in the U.S., and Americans are inexplicably using them to kill one another. Discerning empirical facts from deftly disguised leaps in logic, however, can sometimes be a tall order, especially when the man at the helm is rabble-rouser Moore. A folksy cherub with a sardonic wit and an insatiable appetite for off-kilter confrontation, the Roger & Me gadfly shepherds the audience to the desired epiphany with all the grace of a battering ram. Using as a linchpin an absurd yet horrifying bit of evidence -- that the Columbine High School students Eric Harris and Dylan Klebold attended their regularly scheduled bowling class the morning of their shooting spree -- Moore launches an investigation into the origins of America's culture of violence. To his credit, the usual scapegoats, i.e., "too many guns" and "video games," are discredited. Canada, we are told, has nearly as many guns as the United States but experiences a minuscule murder rate. In Japan, ultra-violent comics and video games are the norm, yet gun crime is almost nonexistent. One could argue, though, that Moore's thesis -- that American media cultivate an atmosphere of fear by using violence as its centerpiece -- is weakened by the broad strokes he uses to paint the picture. Whatever feelings one has about National Rifle Association president Charlton Heston, who spoke at a pro-gun rally in Littleton shortly after the killings, Moore's bizarre interview with the aging actor casts Heston more as a dotard than the devil. Still, the film's impact remains undeniable, and those willing to look past Moore's propagandistic tendencies to the central issue discussed will find ample food for thought. Jeffrey Iorio, Barnes & Noble
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