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Deleted scenes; Global P.R. tour; Music infomercial
Full Product DetailsDisc #1 -- Borat
1. Village of Kuzçek [:02]
2. Hobbies and Reportings [3:50]
3. Arrival in New York Citys [2:28]
4. Reportings on Humor [:41]
5. Pamela and Feminists [3:36]
6. Great News About Wife [3:33]
7. Learnings About Automobiles [3:37]
8. Washington DCs [1:41]
9. Television Appearing [2:20]
10. Rodeo [1:58]
11. Gypsy Treasures and "Wassup Wit It?" [2:30]
12. Nest of Jews [3:26]
13. Protection [:14]
14. Society Dinner [3:44]
15. Luenell [2:28]
16. Antique Store [1:46]
17. Dispute With Azamat [3:24]
18. Shit Times [2:20]
19. Fraternity Boys [:15]
20. Mr. Jesus [5:57]
21. California Arrive [2:35]
22. Pamela Marriage Proposal [2:32]
23. Return Kazakhstan [3:11]
24. O Kazakhstan/End Credits [3:01]
The comedy sensation of 2006, Borat is deceptive in concept and fundamentally mean-spirited in execution -- but it's also hysterically funny, which renders it immune to criticism. Sacha Baron Cohen, the British comedian who has submerged his own personality beneath those of his creations, plays Kazakhstani journalist Borat Sagdiyev, who comes to America with his producer, Azamat Bagatov (Ken Davitian), to make a documentary about Yankee life and culture. While in the United States, Borat sees an episode of Baywatch and becomes infatuated with Pamela Anderson, whom he vows to meet and marry. This bare-bones plot affords a framework for the movie's hilarious set pieces: interviews and interactions with real Americans, hornswoggled by Cohen into believing that they were being filmed for a genuine documentary. Borat's targets include racist southern whites, gullible (and humorless) feminists, drunken frat boys, credulous evangelicals, and even politicians, such as Georgia congressman Bob Barr and former presidential candidate Alan Keyes. One by one, they fall for Cohen's act, apparently never suspecting that they're being kidded by the ersatz journalist. The material is funny to begin with, but veteran sitcom director Larry Charles shapes and enhances it with clever editing, which pulls reaction shots out of context and thus makes some of the participants look more foolish than they might actually have been. Did Cohen take advantage of his subjects' generosity and openness? Yes, absolutely. But is the end result hilarious? Absolutely and indisputably. Ed Hulse, Barnes & Noble
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