Barnes & Noble
One of America’s most beloved and influential comedians, Bob Hope teamed with crooner-actor Bing Crosby and the gorgeous Dorothy Lamour in the Road movies -- a series of four breezy romps that are collected in this Tribute Collection. Hope's unique screen talents found their perfect showcase in these hilarious films, his hyper-loquacious desperation contrasting perfectly with Crosby's cool in one hair-brained scheme after another. Their duo's magical screen chemistry mattered much more than the plots, which are basically excuses for a ad-libbed patter, irreverent one-liners, and the occasional light-hearted musical number, all set against a backdrop of exotic locales. The four offerings in this boxed set -- Road to Morocco, Road to Singapore, Road to Zanzibar, and Road to Utopia -- are gems, still as charming and fresh as the day they were released.
All Movie Guide
Having accidentally caused a merchant ship to blow up, stowaways Bob Hope and Bing Crosby are shipwrecked on the African coast. Commandeering a convenient camel (who takes time to ad-lib a spit in Hope's eye!), Bob and Bing are off on the road to Morocco, an event they celebrate in song. With nary a penny in their pockets, the boys try various methods to scare up a meal. Old reliable Bing shows up with the necessary funds; when Bob asks where the money came from, Bing calmly informs his pal that he's been sold into slavery. Bob is dragged off to parts unknown; later, Bing, his conscience bothering him, scours the town in search of his buddy. He stumbles into a luxurious palace, where Bob is being treated like a rajah. Even more puzzling, Bob is being kissed and cosseted by Moroccan-princess Dorothy Lamour, who announces plans to marry him in a few days! Neither Bing nor Bob can figure this out, but the audience knows that Dorothy has been advised by her astrologers that her first husband will suffer a violent death, and that her second marriage will be long and happy. Since Dorothy is affianced to desert sheik Anthony Quinn, ol' buddy Bob is once more set up as a dead duck. But Dorothy finds herself attracted to Bing, and forgets all about her pre-arranged marriage to Quinn (just as well, since Quinn is the heavy of the piece). On the eve of the wedding, the astrologers find they've made a mistake, and that Dorothy is now free to marry the man of her dreams-who, by this time, is Bing. Bob must console himself with handmaiden Dona Drake, who's some looker herself. As the wedding procession proceeds, Quinn comes riding into town, kidnaps Dorothy, and leaves Bob and Bing trussed up in the desert. Freeing themselves, Bob and Bing make their way through the desert wastes ("This must be where they empty the old hourglasses") in search of Quinn's camp. After an amusing series of mirages, the boys sneak into camp and attempt to rescue Dorothy and Dona. Imprisoned by Quinn, the boys muff an opportunity to use a magic ring, but still manage to escape. Using exploding cigars and hotfoots, our heroes sabotage a peace conference between Quinn and rival sheik George Givot, prompting a talking camel to remark "This is the screwiest picture I've ever been in." Bob, Bing and the girls escape to New York, but not before Crosby spoils Hope's chances at getting an Academy Award by interrupting Bob's "mad scene." Generally regarded as the best of the "Road" pictures, Road to Morocco is as fresh and funny today as it was back in 1942; even in repeated viewings, the rapid-fire one liners and comic setpieces result in boffo bellylaughs. An Oscar was bestowed upon Johnny Burke and Jimmy Van Heusen's ballad "Moonlight Becomes You." Hal Erickson
All Movie Guide
The story goes that such stars as Fred MacMurray, Jack Oakie and Burns & Allen had turned down The Road to Singapore before the leading roles went to Bing Crosby and Bob Hope. More conventionally structured than future "Road" efforts, the film casts Crosby as Josh Mallon, the irresponsible son of shipping magnate Joshua Mallon IV (Charles Coburn). Though the elder Mallon wants his son to enter the family business and marry longtime fiancee Gloria Wycott (Judith Barrett), Josh would rather pal around with his carefree sailor buddy Ace Lannigan (Bob Hope). On the eve of his wedding, Josh escapes with Ace to Singapore, where the two of them cook up a get-rich-quick scheme involving a highly unreliable spot remover. The boys' friendship is strained when they both fall in love with cabaret dancer Mima (Dorothy Lamour), who is on the lam from her jealous partner Caesar (Anthony Quinn). Hiding out from the authorities, the three protagonists wind up in the midst of a native ceremony, where Ace and Mima rescue Josh from a hasty marriage to a local temptress. When Gloria shows up to drag Josh back to the altar, Mima nobly gives him up, pretending to be in love with Ace. Eventually, however, big-hearted Ace realizes that Mima belongs with Josh, and thus concocts another scheme to lure his pal back to the Far East. Though many of the earmarks of the "Road" series are evident in Road to Singapore (the "patty-cake" bit, the presence of such guest stars as Hope's radio stooge Jerry Colonna, etc.), the film lacks the spontaneous quality of the later Hope-Crosby-Lamour starrers. Even so, it's an awful lot of fun, especially when Bob and Bing team up on the novelty number "Captain Custard" and Dorothy croons her requisite "moon and stars" romantic ballads. Hal Erickson
All Movie Guide
The first "Road" picture in three years (the last was Road to Morocco), Road to Utopia is set during the Alaskan gold rush. Bob Hope and Bing Crosby play a pair of third-rate San Francisco entertainers who are obliged to skip town in a hurry. They book passage on a ship to Alaska, where they run afoul of escaped murderers Sperry (Robert H. Barrat) and McGurk (Nestor Paiva). Through a fluke, Bob and Bing overpower the killers, then get off the ship in Skagway disguised as Sperry and McGurk so that they themselves can evade the authorities. The boys can't understand why everyone is so afraid of them, nor why saloon-owner Douglass Dumbrille and Dumbrille's moll Hillary Brooke are so chummy. It turns out that Sperry and McGurk had stolen a deed to a valuable gold mine before escaping to Alaska. Dorothy Lamour is the rightful owner of that deed, thus she too shows up in Skagway, hoping to extract the document from Bob and Bing. Whenever the plot threatens to become too difficult to follow, narrator Robert Benchley shows up to explain things--which of course only adds to the confusion. At any rate, the whole affair ends up with Bob, Bing and Dorothy running through the snowy wastes, with the villains in hot pursuit. Bing nobly stays behind to fight off the bad guys himself, handing the deed to Bob and Dorothy and wishing them Godspeed. Flash-forward to 1945: Bob and Dorothy, both old and wealthy, are reunited with their equally aged pal Bing, who wasn't killed after all. Dorothy tells Bing that Bob has been a wonderful husband and father. Yes, father....and wait till you see who plays Bob Jr. ("We adopted him!") Road to Utopia is the usual melange of adlibbed chatter, snappy songs, talking animals and "patty cake, patty cake." You'll love it. Hal Erickson
All Movie Guide
The second Bing Crosby/Bob Hope "Road" picture casts Crosby as a penny-ante sideshow promoter and Hope as Crosby's only client, "Fearless Frazier." Under Crosby's tutelage, Hope has been shot from a cannon, zapped in an electric chair and nearly strangled by an octopus. Now they're practically broke and stranded on the African coast. Crosby spends the last of their money to spring helpless Dorothy Lamour from a native slave market. Actually, Lamour and her pal Una Merkel are scamming Crosby and Hope to finance a safari across Africa, so that Lamour can link up with her wealthy fiance in Zanzibar. En route through the deepest, darkest jungle, both Hope and Crosby fall in love with Lamour. But when they find out they're being taken for chumps, the boys leave the safari and strike out on their own. Captured by cannibals, the boys try and fail to win their freedom by having Hope wrestle a particularly grumpy gorilla. Making their escape after teaching the natives their time-honored "Patty Cake" routine, they head for Zanzibar. Once again, Crosby spends his ready money to spring Lamour from her captured-by-slavers con game, obliging Hope, Crosby, Lamour and Merkel to try to earn passage money home by staging a "sawing the lady in half" routine for the locals. Crosby: "Are you sure you know what you're doing?" Hope: "If I don't, one of us is going back half fare." Like the earlier Road to Singapore, Road to Zanzibar sticks too closely to the script and plot to allow those inveterate adlibbers Hope and Crosby free reign. Still, there are some choice moments: our favorite bit occurs when Crosby comments to Lamour on the artificiality of movie musicals--whereupon the sound of an orchestra pops up out of nowhere. Hal Erickson
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