DVD - Wide Screen / Dolby 5.1 / Stereo Learn more
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George Jung interviews by director Ted Demme; Lost Paradise: cocaine's impact on Columbia; Addition: body and soul; Trivia subtitle track with direct access to additional features; Script-to-screen access to the film; Link to original website; Exclusive access to online Infinifilm features; Commentary with director Ted Demme and George Jung; Deleted scenes with director commentary; Character outtakes; Ted Demme's production diary; Nikka Costa music video "Push and Pull"; Teaser and theatrical trailer; Cast and crew filmogrphies
Full Product DetailsSide #1 --
0. infinifilm Select a Scene
0. Main Titles
0. My Name is George Jung
0. Summer 1968
0. Coast to Coast
0. Donde Esta Pot?
0. Family Dinner
0. Chicago 1972
0. A Visit Home
0. Diego
0. Colombia 1976
0. A Favor
0. Pablo
0. Mirtha
0. A Family Visit
0. Diego's Move
0. No More Brothers
0. Kristina
0. Happy Birthday
0. On the Run Again
0. Florida 1987
0. George's Heart
0. One Last Score
0. A Message Home
0. A Visitor
0. End Credits
0. Select a Scene
1. Main Titles [1:49]
2. My Name is George Jung [1:13]
3. Summer 1968 [:22]
4. Coast to Coast [1:22]
5. Donde Esta Pot? [2:10]
6. Family Dinner [:06]
7. Chicago 1972 [2:35]
8. A Visit Home [3:26]
9. Diego [2:32]
10. Colombia 1976 [2:12]
11. A Favor [:57]
12. Pablo [:07]
13. Mirtha [3:41]
14. A Family Visit [2:28]
15. Diego's Move [2:36]
16. No More Brothers [1:39]
17. Kristina [2:37]
18. Happy Birthday [3:00]
19. On the Run Again [1:52]
20. Florida 1987 [:07]
21. George's Heart [4:33]
22. One Last Score [1:26]
23. A Message Home [:56]
24. A Visitor [:07]
25. End Credits [2:21]
Based on Bruce Porter's biography of the same name, Blow tells the story of real-life drug kingpin George Jung (Johnny Depp), a working-class kid from New England who turned America on to the magic powder that made disco come alive. Echoing the trajectory of a cocaine high, the sunny euphoria of Jung's early days in the 1960s selling pot on Southern California beaches gives way to the manic, teeth-grinding frenzy of his big-scale coke smuggling during the 1970s, when he hooked up with Columbian Pablo Escobar's powerful Medellin cartel. By the mid-'80s, as arrests and betrayals send Jung's billion-dollar empire crashing down, his life becomes one long cocaine hangover. Breezily told, Blow dispenses with major chunks of story through rapid-fire, Goodfellas-like montages as Jung narrates in voice-over; much of the fun comes from checking out Depp's ever-changing array of period costumes and hairdos as the movie hurtles through the decades. Director Ted Demme slows the action down for Jung's periodic visits with his loving but ineffectual father (Ray Liotta) and his shrewish mother (Rachel Griffiths), who salivates over her son's ill-gotten gains, then later turns him in to the police. These scenes with the parents are meant to provide the key to Jung's character: In his marriage to Mirtha -- a Columbian bombshell (Penelope Cruz) who quickly goes from fantasy babe to coke-snorting, money-grubbing harridan -- we witness the reenactment of his family history. But it's never clear how Jung, who seems neither ruthless nor particularly smart, rises so high in a trade dominated by vicious, machine gun-toting drug lords. It's a testimony to Depp's immense appeal as a performer -- his ability to undercut his breathtaking good looks with a self-effacing sweetness -- that he manages to make us care about a character that we never really get a handle on. Blow hammers home its point that crime doesn't pay, but by the end we have so much sympathy for Depp that we almost wish that it did. Kryssa Schemmerling, Barnes & Noble
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