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| Blu-ray - Wide Screen | $23.19 |
All-new 30th anniversary digital transfer; Soundtrack remastered in Dolby Digital 5.1; Scene specific commentary by Mel Brooks; Documentaries: "Back in the Saddle" and "Intimate Portrait: Madeline Kahn" (excerpt); Black Bart: 1975 pilot episode of the proposed TV series spin-off; Additional scenes; Theatrical trailer; Languages: English & Español; Subtitles: English, Français, & Español
Full Product DetailsSide #1 --
1. Credits [2:16]
2. Workin' on the Railroad [3:41]
3. Quicksand [2:50]
4. Hedley Lamaar [4:18]
5. Church Meeting [5:14]
6. The Governor [3:21]
7. New Sheriff [3:29]
8. Rock Ridge Welcome [5:06]
9. Message to the Governor [1:38]
10. The Waco Kid [8:51]
11. Beanfest [2:10]
12. Mongo Goes Boom [5:23]
13. Where's Froggy? [1:36]
14. Lili Von Shtupp [2:43]
15. I'm Tired [5:34]
16. Wet Sauerkraut in Her Hands [3:02]
17. Snoopin' Around [5:47]
18. Equal Opportunity Employer [4:41]
19. "Where are all the White Women At?" [1:35]
20. Fake Rock Ridge [3:53]
21. Do the Voodoo You do [2:06]
22. Exact Change [1:09]
23. Showtime? [2:47]
24. "I Work for Mel Brooks" [4:14]
25. Happy Ending [4:34]
26. End Credits [:37]
The face of movie comedy was changed forever by Mel Brooks’s raucous but affectionate spoof of old-fashioned Hollywood westerns, and for that reason alone Blazing Saddles belongs in every DVD home library. Writer-director Brooks not only lampooned the hoariest horse opera clichés in this 1974 romp, he also challenged the self-censorial political correctness then just beginning to creep into Hollywood films. The justifiably notorious campfire scene, which some critics decried as unnecessarily coarse and vulgar, heralded a veritable flood of movie gags involving bodily functions. By today’s standards, the flatulent frontiersmen seem pretty tame. But after 30 years, what still startles is the frequent and all-too-casual use of the n-word to describe Cleavon Little’s character, the former railroad worker appointed as sheriff of Rock Ridge, a town beset by rustlers and bad guys working for a corrupt government official (Harvey Korman). Racial slurs aside, the laughs come fast and furious as the sheriff combats range ruffians with the aid of a drunken gunfighter (Gene Wilder, stealing nearly every scene he’s in) and a leggy femme fatale (Madeline Kahn, in a hilarious takeoff on the saloon girl played by Marlene Dietrich in Destry Rides Again). Blazing Saddles and its successor, the Brooks-directed Young Frankenstein, forever changed the way Hollywood looked at itself. These no-holds-barred comedies, with their sophomoric innuendoes and self-referential excesses, remain templates for filmmakers who specialize in parody. Blazing Saddles, the first and more daring of the two, still has the power to raise eyebrows and drop jaws, three decades after its big-screen debut. Based on what has followed in its wake, that’s pretty amazing. Ed Hulse, Barnes & Noble
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